Consider contemporary Uzbek musicology as a whole system, see that most of the problems reflected in them are extremely compatible. Examines the processes of musical creativity of the peoples of Central Asia at the beginning of the twentieth century.
Characteristic of quintets of Luigi Boccherini as an object symbol of the Italo-French line of chamber instrumentalism, including among piano works. Crossing of the early Romantic and Biedermeier stylistic trends in the genre model Luigi Bockerini.
Research of historical information about the evolution of musical folklore of Ukraine. Analysis of the transformation of genre dominants. The appearance of hymns and vivats with instrumental accompaniment. Study of the gender composition of performers.
Виявлення поетико-інтонаційної унікальності мотету Exsultate Jubilate В.А. Моцарта в річищі духовних настанов європейського музичного мистецтва Нового часу та його алилуйної парадигматики. Формування інтонаційно-виконавської специфіки бельканто.
Consideration of the peculiarities of the interpretation of Jean-Denis Miche's Saxophone Concerto "Shams" by American saxophonist Thomas Kurtz. Search and reproduction of modern means of musical expression, imitation of the manner of virtuoso playing.
New pedagogical approaches, forms and methods of working to reveal spiritual and moral faculties of a young persons. The importance of music in the formation of the younger generation. Folk-song in continuity spirituality of the national culture.
The article proves the formation of conducting and orchestral competence of future music teachers. The formula for the successful performance of an orchestra largely depends on the professional training of the leader of the group, the formation.
Acquaintance with the fundamental academic principles of the violinist L. Auer. Consideration of the peculiarities of the influence of the Russian violin school on violin teaching in Vietnam. General characteristics of the Vietnamese performing school.
Forms of functioning of music in society, interrelation of extra-musical and immanent musical factors. Essence of sociological, morphological, semantic, axiological categories of musical genre. Classification genres by Boethius, de Grocheo and Praetorius.
Disclosure of the genre diversity of musical works that interpret the poetic heritage of Ukrainian classics. Auditory analysis of musical works, observation of stage productions of artistic numbers. A combination of musicological and literary methods.
Prokofiev’s dramaturgy methods, contrasting inclusions, repeated sharp striking phrases, extra-musical and extra-textual devices for the enrichment of vocal speech in the libretto’s draft Chess. The composer's interest in the novel "Gone with the Wind".
Consider the impact on modern vocal performance of sound recording, the characteristics of the changes that have occurred due to this in the vocal and performing arts. Determining the role and importance of the sound director in the process of recording.
The article considers trends and risks of higher art education internationalization and at the same time on the example of the International Academy of Music and Performing Arts Vienna provides overview of the best practices to cope with these challenges.
Determined the fact that it first generalized the poetic-intonational specificity of depicting praise-glorification images in line with the religious attitudes of lutheranism. Study of the concept of music from the perspective of stylistic analysis.
Study of the development and theoretical foundations of "Chahargah" mugham, which occupies a special place in Azerbaijani music. Its development as a creative product of professional performers, which was passed down from generation to generation.
Die charakteristische Visualisierung dieser phanomenalen Qualitaten des Hor- baren besteht in den Produkten selbst. Die Selbigkeit der Tone im Oktavabstand von Guido durch die Entsprechung der umgebenden Tonrelationen begrundet wird, und nicht etwa durch.
This article mediates between two views of the sonata-form development section: one based on key and cadence plan (Koch), another based on harmonic progression (Schenker). Three sonata movements by C.P.E. Bach, all of which agree with Koch's discussion.
The artistic inspirations in Szymanowski's life during Kyiv's period, and Szymanowski's connections with Kyiv. Study of highlights of places, people and events Szymanowski and creative inspirations in the context of the musical environment of Kyiv.
Досліджено втілення українською композиторкою Богданою Фільц трагіко-драматичної концепції, що сформувалася у творах для двоклавірного дуету К. Дебюссі, С. Рахманінова, Е. Страуме, Д. Хілла. Визначено оригінальність програмної концепції композиторки.
Methodical concepts of forming a choral group, including pedagogical principles of creating and leading a choral group and psychological and pedagogical conditions for forming a choral group. The efficiency of the implementation of the formation system.
Methodology for the formation of Bachelor's competencies in the field of technology of medical diagnostics and treatment in the discipline "biological and clinical chemistry" on the example of a lesson on the topic "conducting a glucose tolerance test".
Coloratura - a tool that describes a fragment of a vocal composition, consisting of large-scale courses and passages requiring the performer to effectively use the voice scale. Stanistaw Monyushko - one of the creator of the Polish National Opera.
Analysis of the possibility of creating a work of art consisting of elements related to music and poetry. The influence of the sound environment on the formation of speech. Description of the use of musical art to expand the emotional component of poetry.
Analysis of the history of the formation of music therapy for a better understanding of the place, place of music in society from antiquity to the present. Content of research on the problem of using music therapy in socio-psychological and socio-pedagogi
Functions of musical architecture in the creative process of a composer and performer. The main features of musical architecture compared to musical composition. Functions of architecture in the musical and creative process of a composer and performer.
Music semiotics emerged later than other areas of semiotics. The content formed by visual, verbal and sound material in their subordination and interdependence, as well as the study of the context of the message that carries artistic information.
A structural theory of form. Sketch of a structural form-theory. Harmonic relations between sections. Thematic qualification of harmonically-related sections. The impact of this structural form-theory. Schenker's theory of form and formal categories.
The problems of determination of dimension of existence of music in philosophical and aesthetic views on art. Consideration of Oswald Spengler musical intentions in relation to the ethos of culture. The implementation of culture styles in music.
The place of music computer technologies in the modern history of music. Patterns of development of musical art, study of music of different styles, eras in their systematicity. Improvement of musical language, composing methods, texture of musical works.
A comprehensive study of the little-known directions of the performance work of the well-known Ukrainian composer M. Lysenko. The first experience of analyzing the performing practice of M. Lysenko as an accompanist and ensemble player in musicology.
