The main modes of innovation in the use of the damper piano pedal by contemporary composers. Classification and aesthetic-stylistic justification of the innovative use of the damper pedal in contemporary piano music in the works by Ukrainian composers.
Identify the specifics of the philosophy of musical analysis in philosophical, aesthetic and musicological categories and to outline its significance in the cultural studies of the phenomena of Ukrainian musical art, in particular, chamber-instrumental.
Consider the impact on modern vocal performance of sound recording, the characteristics of the changes that have occurred due to this in the vocal and performing arts. Determining the role and importance of the sound director in the process of recording.
The theoretical crystallization of methodology and the discovery of the semiological significance of culturological art criticism in the complex study of the chamber art of Ukraine. Determination of the importance of comprehension the chamber art.
The article considers trends and risks of higher art education internationalization and at the same time on the example of the International Academy of Music and Performing Arts Vienna provides overview of the best practices to cope with these challenges.
Aspects of M. Ravel's reading of texts from the collection "Gaspar from Darkness. Fantasias in the manner of Rembrandt and Kahlo" by the poet A. Bertrand. The concept of phantasmagoricity, which led to the selection of materials from Ravel's cycle/suite.
The article is to present the concept of associative musical text and prove the viability of associative musical text as an effective technique of modern text forming. The associative musical text concept as a categorically independent, functional.
Determined the fact that it first generalized the poetic-intonational specificity of depicting praise-glorification images in line with the religious attitudes of lutheranism. Study of the concept of music from the perspective of stylistic analysis.
Study of the development and theoretical foundations of "Chahargah" mugham, which occupies a special place in Azerbaijani music. Its development as a creative product of professional performers, which was passed down from generation to generation.
Die charakteristische Visualisierung dieser phanomenalen Qualitaten des Hor- baren besteht in den Produkten selbst. Die Selbigkeit der Tone im Oktavabstand von Guido durch die Entsprechung der umgebenden Tonrelationen begrundet wird, und nicht etwa durch.
Globalization, which characterizes the culture of the 20th-21st centuries, has contributed to the emergence of a new domain called "unionique music" (from "union" and "unique"), where elements of all others interact in a unique way at different levels.
Музыкальное творчество и внеконцертная деятельность группы, транслируемая через соцсети. Анализ гендерных представлений, содержащихся в песнях BTS, и характера их восприятия поклонниками группы в процессе коммуникации между бойз-бендом и фанатами.
The artistic inspirations in Szymanowski's life during Kyiv's period, and Szymanowski's connections with Kyiv. Study of highlights of places, people and events Szymanowski and creative inspirations in the context of the musical environment of Kyiv.
Досліджено втілення українською композиторкою Богданою Фільц трагіко-драматичної концепції, що сформувалася у творах для двоклавірного дуету К. Дебюссі, С. Рахманінова, Е. Страуме, Д. Хілла. Визначено оригінальність програмної концепції композиторки.
Use modern electronic devices in music education. Development of musical ear using ethnic modal and rhythmic models of traditional music of India, Iran, China. Training the ear in penta-, diatonic and symmetrical modal scales, microchromatic intonations.
In this article, through the analysis of audio and video materials that captured performances where Maria Callas took part, her interviews and the memoirs of contemporaries about her, the technology of female opera images embodiment is considered.
Особенность владения основными законами импровизационного искусства. Характеристика основания его на знании и понимании закономерностей традиционных гармонических построений и стилистических особенностей композиции в джазовой музыке 1930-1960-х годов.
Methodical concepts of forming a choral group, including pedagogical principles of creating and leading a choral group and psychological and pedagogical conditions for forming a choral group. The efficiency of the implementation of the formation system.
Methodology for the formation of Bachelor's competencies in the field of technology of medical diagnostics and treatment in the discipline "biological and clinical chemistry" on the example of a lesson on the topic "conducting a glucose tolerance test".
Coloratura - a tool that describes a fragment of a vocal composition, consisting of large-scale courses and passages requiring the performer to effectively use the voice scale. Stanistaw Monyushko - one of the creator of the Polish National Opera.
Analysis of the possibility of creating a work of art consisting of elements related to music and poetry. The influence of the sound environment on the formation of speech. Description of the use of musical art to expand the emotional component of poetry.
Analysis of the history of the formation of music therapy for a better understanding of the place, place of music in society from antiquity to the present. Content of research on the problem of using music therapy in socio-psychological and socio-pedagogi
Analysis of the problems of using music to improve physical health by the example of vibroacoustic massage "singing bowls". Features of the influence of musical features associated with rhythm and timbre on the characteristics of musical movement.
Functions of musical architecture in the creative process of a composer and performer. The main features of musical architecture compared to musical composition. Functions of architecture in the musical and creative process of a composer and performer.
The mechanisms of analysis and evaluation of musical works in relation to neuroscience. A projection of developments of neuroaesthetics from visual forms of art to music as an audio system. Correlation of the laws of the brain with the art of music.
Music semiotics emerged later than other areas of semiotics. The content formed by visual, verbal and sound material in their subordination and interdependence, as well as the study of the context of the message that carries artistic information.
The phenomenon of music in audiovisual art. The work of Ennio Morricone in world cinema is analyzed. This approach made it possible to deeply reveal the role of music in the screen arts, to show the peculiarities of the collaboration between the director.
The problems of determination of dimension of existence of music in philosophical and aesthetic views on art. Consideration of Oswald Spengler musical intentions in relation to the ethos of culture. The implementation of culture styles in music.
The place of music computer technologies in the modern history of music. Patterns of development of musical art, study of music of different styles, eras in their systematicity. Improvement of musical language, composing methods, texture of musical works.
A comprehensive study of the little-known directions of the performance work of the well-known Ukrainian composer M. Lysenko. The first experience of analyzing the performing practice of M. Lysenko as an accompanist and ensemble player in musicology.
