Problems presented by the attempt to translate Adorno. Associating the word "analysis" in music with the idea of all that is dead and removed from the living work of art. The music as an event in any adequate analysis of Beethoven. The "holistic" method.
Complex importance of performing hearing musician. Interrelation of performing breathing, resonators and ear pads as the basic condition for improving the integral, synthetic nature of the academic sound-forming apparatus of a professional musician-fan.
The problem of the phenomenon of "thinkig". Identification and substantiation of the individual characteristics of the musician in the interpretive performance process and the feasibility of their development in the process of learning to play the piano.
The article opens one of the new pages of G.F. Handel, relating to the early period of the composer's work, and also fits the compositions into the context of the traditions of the productions of the Hamburg Opera House. Dramatic conflict between gods.
Features of using contemporary types of professional breathing by musicians playing wind academic instruments. Revealing of peculiar criterions of modern types of performer breathing and their particular principles of performing and practical use.
The study of the essence of the issues of interaction between the literary source and the musical drama. Consideration of the opera "Idiot", completed by the Russian composer M. Weinberg and staged on the leading Russian stages in the creative season.
Definition of features of program music in the study of piano works of one of modern Bukovinian composers - Joseph Elgiser. Investigation of the development of professional musical art in Bukovina. Finding out the basics of piano music in the region.
Identify typical genre-stylistic of E. Goossens's composition in the context of the development of the concert style of oboe performance. Have marked the overcoming of the formality of rondeau nature by the continuity of performance form-creation.
The article examines the performance and semantic features of Borys Liatoshynsky's chamber music style, focusing on the Sonata for Violin and Piano (1926), a landmark work of the composer's modern period. Actively inspired by new expressive components.
Orthodox singing - an autonomous melodic and stylistic system, acting as a unity of liturgical everyday and authorial musical language installations. Canon as one of the leading cultural universals and key concepts in the Orthodox singing tradition.
Studying of essence of a problem of musical time in XX century music. The organization of sound events in a temporary continuum. Comparison of philosophical concepts of time of A. Bergson, E. Gusserl, Zh. Delez to musical compositions of New music.
Time problem in new music in the context of philosophical reflections. Comparison of the philosophical concept and estetiko-philosophical purposes of composers of the second half of the 20th century. Structuring musical time and its various concepts.
The analysis of Myaskovsky's chamber-vocal works according to poems of symbolist poets of the XIX-XX centuries. The romance genre in the context of the culture of the Silver Age. Stylistics Myaskovsky in romances according to the poems of different poets.
Study the chamber-vocal works by N. Myaskovsky created on poems of symbolist poets in the line with cultural and aesthetic trends of the turn of the XIX-XX cent. in the context of the culture of the Silver age. The composer’s stylistics in romances.
Determination of the features of the poetics of Ukrainian musical folklore as a source of folk perception of history and life, necessary for transmission to descendants. Informativeness of verbal texts, the emotionality of which is enhanced by music.
Analysis of quantitative and qualitative parameters of the genre structure of contemporary ensemble works of Ukrainian authors. Dynamic of the evolution of the structure of chamber-instrumental genres. Description of common types of genre interference.
Development of robotic methods with orchestral groups and ensembles. The main role of the director in work with the team, the significance of rehearsal work and the interpretation of musical works are explained. Conducting the score on the piano.
Presentation of the work "Fugue of Constantine" for string ensemble. Polyphonic, harmonic means, which the composer used to reflect the monogram of Christ in work. Analysis of the symmetry of the product, which is applied through the Fibonacci number.
Periodization of life and work of O. Koshitsa. The reasons that led the artist to stay in a foreign country. Analysis of peculiarities of choir arrangements of Ukrainian folk songs and spiritual music. Renaissance of creativity of Koshytsia in Canada.
Morphological analysis of the works of Rimsky-Korsakov, Mussorgsky, Borodin, Stravinsky. Identification of a set of invariant sound morphemes, the conceptuality of which is related to the associative and figurative possibilities of listening perception.
Analysis, studying of rock group as trademark. Consideration of rock group in dynamics of internal and external communications with representation in the form of special hyper structure with horizontal and vertical communications in sociocultural space.
The history of Chinese rock music. The Open Door Policy: new policy and new music. Yaogun – Chinese rock’n’roll. Official attitude towards changes in youth culture and spread of rock-music in China. Tang Dynasty, Black Panther, Chinese heavy metal bands.
The origins and traditions of Ancient Music UK. Areas of Madrigal British school based on the Italian model, in the fifties and in the modern period. Long history of border ballads Northumbria. Features and stages of development of British rock music.
The role of the musical components as a whole of the modern show. The functional intend of the musical constituent of the integrity of the show as a business organization. Materials by the specifics of description of show-structures in business actions.
Describing of physical modeling of wind instruments provides digital sound synthesis based on a set of parameters that have a direct physical interpretation. Propagation of pressure waves in cylindrical and predominantly conical sections of saxophone.
Дослідження реформаторського мейнстриму у європейському музичному театрі першої половини XVIII ст. Національні та локальні реформаторські прояви подолання театральної кризи. Реформа Глюка як успішний кейс розв'язання проблеми оновлення оперного жанру.
Особливості оркестрового викладення Й. Брамса в скрипковому концерті. Розмежування зовнішньо- і внутрішньо оркестрового солістів. Лідируючі позиції духових і гобоя. Засоби створення кульмінації. Специфіка набору інструментального складу оркестру.
Взаємодія зовнішньо і внутрішньо оркестрових солістів в основі аналізу оркестрування. Основні оригінальні прийоми Й. Брамса: регулярні зміни густини викладення, незвичні дублювання, своєрідна динамізація репризи, неочікуванно тривале солювання гобою.
Information about the sonorous and expressive properties of the harmonic peak, widely covering the principles of coloristic functions of special sound engineering techniques. Analysis of some aspects of the harmonic vertical for their uniqueness.
Study of two piano sonatas by Scriabin, which represent the peculiarities of his piano style as a phenomenon. Analysis of his grandiose macrocycle of 10 sonatas as a compendium of the principles of piano thinking characteristic of the post-romantic era.
