Analysis of the history of the formation of music therapy for a better understanding of the place, place of music in society from antiquity to the present. Content of research on the problem of using music therapy in socio-psychological and socio-pedagogi

Functions of musical architecture in the creative process of a composer and performer. The main features of musical architecture compared to musical composition. Functions of architecture in the musical and creative process of a composer and performer.

The mechanisms of analysis and evaluation of musical works in relation to neuroscience. A projection of developments of neuroaesthetics from visual forms of art to music as an audio system. Correlation of the laws of the brain with the art of music.

Music semiotics emerged later than other areas of semiotics. The content formed by visual, verbal and sound material in their subordination and interdependence, as well as the study of the context of the message that carries artistic information.

A structural theory of form. Sketch of a structural form-theory. Harmonic relations between sections. Thematic qualification of harmonically-related sections. The impact of this structural form-theory. Schenker's theory of form and formal categories.

The problems of determination of dimension of existence of music in philosophical and aesthetic views on art. Consideration of Oswald Spengler musical intentions in relation to the ethos of culture. The implementation of culture styles in music.

The place of music computer technologies in the modern history of music. Patterns of development of musical art, study of music of different styles, eras in their systematicity. Improvement of musical language, composing methods, texture of musical works.

A comprehensive study of the little-known directions of the performance work of the well-known Ukrainian composer M. Lysenko. The first experience of analyzing the performing practice of M. Lysenko as an accompanist and ensemble player in musicology.

The national manifestations in music. The study of national traditions in A. Ginastera’s music. The composers’ and performance principles of A. Ginastera’s vocal creative work in the context of the specifics of the Argentine national vocal tradition.

The history of music in XIX-th century in a form other than that of monographs about the leading composers, interspersed with outlines of cultural history which find room for the "minor masters". The composers of the works which constitute the "canon".

The stylistic features of a new choreographic interpretation of P. Tchaikovsky's famous ballet "The Nutcracker" by R. Poklitaru. Exploring of the choreographer's non-standard creative vision, his specific style and a new approach to Hoffmann's tale.

Nu metal is a fusion of alternative metal with such styles as grunge, groove metal, hip-hop. This genre was one of the most popular in the mid-1990s and early 2000-ies. Popular bands playing in the style of nu metal, their main tools and traits.

Study of the consolidating significance of folk music culture in war conditions, its role in the formation of national identity. Analysis of the historical and genre features of the song "Oi u luzi", which became the March of the Ukrainian sich Riflemen.

In harpsichord teaching and performance, in thorough-bass accompaniment the treatises of de Saint Lambert, F. Couperin. Rameau are the basic instruction editions. Only de Saint Lambert and his two treatises bring forth many bio-bibliographic questions.

Time as musical problem. Dynamization and negation time by painting, Raumkunst. Syncretism, the vague notion of an undialectical continuum of arts in general. The pseudomorphosis toward painting, one of the key categories for Stravinsky. Language of art.

Problems presented by the attempt to translate Adorno. Associating the word "analysis" in music with the idea of all that is dead and removed from the living work of art. The music as an event in any adequate analysis of Beethoven. The "holistic" method.

The problem of the phenomenon of "thinkig". Identification and substantiation of the individual characteristics of the musician in the interpretive performance process and the feasibility of their development in the process of learning to play the piano.

The article opens one of the new pages of G.F. Handel, relating to the early period of the composer's work, and also fits the compositions into the context of the traditions of the productions of the Hamburg Opera House. Dramatic conflict between gods.

Features of using contemporary types of professional breathing by musicians playing wind academic instruments. Revealing of peculiar criterions of modern types of performer breathing and their particular principles of performing and practical use.

Definition of features of program music in the study of piano works of one of modern Bukovinian composers - Joseph Elgiser. Investigation of the development of professional musical art in Bukovina. Finding out the basics of piano music in the region.

Identify typical genre-stylistic of E. Goossens's composition in the context of the development of the concert style of oboe performance. Have marked the overcoming of the formality of rondeau nature by the continuity of performance form-creation.

The article examines the performance and semantic features of Borys Liatoshynsky's chamber music style, focusing on the Sonata for Violin and Piano (1926), a landmark work of the composer's modern period. Actively inspired by new expressive components.

Orthodox singing - an autonomous melodic and stylistic system, acting as a unity of liturgical everyday and authorial musical language installations. Canon as one of the leading cultural universals and key concepts in the Orthodox singing tradition.

Time problem in new music in the context of philosophical reflections. Comparison of the philosophical concept and estetiko-philosophical purposes of composers of the second half of the 20th century. Structuring musical time and its various concepts.

The analysis of Myaskovsky's chamber-vocal works according to poems of symbolist poets of the XIX-XX centuries. The romance genre in the context of the culture of the Silver Age. Stylistics Myaskovsky in romances according to the poems of different poets.

Development of robotic methods with orchestral groups and ensembles. The main role of the director in work with the team, the significance of rehearsal work and the interpretation of musical works are explained. Conducting the score on the piano.

Tchaikovsky as a legal student. Musical career. Pyotr as professor of composition. Tchaikovsky took to orchestral conducting after filling in at a performance in Moscow of his opera The Enchantress. The composer visited America in a triumphant tour.

Periodization of life and work of O. Koshitsa. The reasons that led the artist to stay in a foreign country. Analysis of peculiarities of choir arrangements of Ukrainian folk songs and spiritual music. Renaissance of creativity of Koshytsia in Canada.

Analysis, studying of rock group as trademark. Consideration of rock group in dynamics of internal and external communications with representation in the form of special hyper structure with horizontal and vertical communications in sociocultural space.

Describing of physical modeling of wind instruments provides digital sound synthesis based on a set of parameters that have a direct physical interpretation. Propagation of pressure waves in cylindrical and predominantly conical sections of saxophone.