The national manifestations in music. The study of national traditions in A. Ginastera’s music. The composers’ and performance principles of A. Ginastera’s vocal creative work in the context of the specifics of the Argentine national vocal tradition.

The history of music in XIX-th century in a form other than that of monographs about the leading composers, interspersed with outlines of cultural history which find room for the "minor masters". The composers of the works which constitute the "canon".

The stylistic features of a new choreographic interpretation of P. Tchaikovsky's famous ballet "The Nutcracker" by R. Poklitaru. Exploring of the choreographer's non-standard creative vision, his specific style and a new approach to Hoffmann's tale.

The history of the formation of the group Nirvana by K. Cobain and K. Novoselic. Nirvana release first single "Love Buzz". Participation Chris Albini to record the album "Puss"/"Oh, the Guilt". The making of the music video for "Smells Like Teen Spirit".

Nu metal is a fusion of alternative metal with such styles as grunge, groove metal, hip-hop. This genre was one of the most popular in the mid-1990s and early 2000-ies. Popular bands playing in the style of nu metal, their main tools and traits.

Study of the consolidating significance of folk music culture in war conditions, its role in the formation of national identity. Analysis of the historical and genre features of the song "Oi u luzi", which became the March of the Ukrainian sich Riflemen.

In harpsichord teaching and performance, in thorough-bass accompaniment the treatises of de Saint Lambert, F. Couperin. Rameau are the basic instruction editions. Only de Saint Lambert and his two treatises bring forth many bio-bibliographic questions.

Time as musical problem. Dynamization and negation time by painting, Raumkunst. Syncretism, the vague notion of an undialectical continuum of arts in general. The pseudomorphosis toward painting, one of the key categories for Stravinsky. Language of art.

Mastery of the musical language, artistic and expressive means of expressiveness, compliments in the field of performing and percussion-noise techniques. Peculiarities of working on a musical piece in the class of instrumental training (bayan/accordion).

Problems presented by the attempt to translate Adorno. Associating the word "analysis" in music with the idea of all that is dead and removed from the living work of art. The music as an event in any adequate analysis of Beethoven. The "holistic" method.

Complex importance of performing hearing musician. Interrelation of performing breathing, resonators and ear pads as the basic condition for improving the integral, synthetic nature of the academic sound-forming apparatus of a professional musician-fan.

The problem of the phenomenon of "thinkig". Identification and substantiation of the individual characteristics of the musician in the interpretive performance process and the feasibility of their development in the process of learning to play the piano.

The article opens one of the new pages of G.F. Handel, relating to the early period of the composer's work, and also fits the compositions into the context of the traditions of the productions of the Hamburg Opera House. Dramatic conflict between gods.

Features of using contemporary types of professional breathing by musicians playing wind academic instruments. Revealing of peculiar criterions of modern types of performer breathing and their particular principles of performing and practical use.

The study of the essence of the issues of interaction between the literary source and the musical drama. Consideration of the opera "Idiot", completed by the Russian composer M. Weinberg and staged on the leading Russian stages in the creative season.

Definition of features of program music in the study of piano works of one of modern Bukovinian composers - Joseph Elgiser. Investigation of the development of professional musical art in Bukovina. Finding out the basics of piano music in the region.

Identify typical genre-stylistic of E. Goossens's composition in the context of the development of the concert style of oboe performance. Have marked the overcoming of the formality of rondeau nature by the continuity of performance form-creation.

The article examines the performance and semantic features of Borys Liatoshynsky's chamber music style, focusing on the Sonata for Violin and Piano (1926), a landmark work of the composer's modern period. Actively inspired by new expressive components.

Orthodox singing - an autonomous melodic and stylistic system, acting as a unity of liturgical everyday and authorial musical language installations. Canon as one of the leading cultural universals and key concepts in the Orthodox singing tradition.

Studying of essence of a problem of musical time in XX century music. The organization of sound events in a temporary continuum. Comparison of philosophical concepts of time of A. Bergson, E. Gusserl, Zh. Delez to musical compositions of New music.

Time problem in new music in the context of philosophical reflections. Comparison of the philosophical concept and estetiko-philosophical purposes of composers of the second half of the 20th century. Structuring musical time and its various concepts.

The purpose of the article is to study the mechanical-acoustic features and properties of the piano in a holistic relationship with the organization of musical space and artistic means of performance, which were formed in the process of musical practice.

The analysis of Myaskovsky's chamber-vocal works according to poems of symbolist poets of the XIX-XX centuries. The romance genre in the context of the culture of the Silver Age. Stylistics Myaskovsky in romances according to the poems of different poets.

Study the chamber-vocal works by N. Myaskovsky created on poems of symbolist poets in the line with cultural and aesthetic trends of the turn of the XIX-XX cent. in the context of the culture of the Silver age. The composer’s stylistics in romances.

Determination of the features of the poetics of Ukrainian musical folklore as a source of folk perception of history and life, necessary for transmission to descendants. Informativeness of verbal texts, the emotionality of which is enhanced by music.

Analysis of quantitative and qualitative parameters of the genre structure of contemporary ensemble works of Ukrainian authors. Dynamic of the evolution of the structure of chamber-instrumental genres. Description of common types of genre interference.

Development of robotic methods with orchestral groups and ensembles. The main role of the director in work with the team, the significance of rehearsal work and the interpretation of musical works are explained. Conducting the score on the piano.

Characteristics of pedagogical, musical and cultural components of professional education in Ukraine. Activation of creative abilities of masters of art specialties. Improving the effectiveness of the training process for highly qualified music teachers.

Presentation of the work "Fugue of Constantine" for string ensemble. Polyphonic, harmonic means, which the composer used to reflect the monogram of Christ in work. Analysis of the symmetry of the product, which is applied through the Fibonacci number.

Periodization of life and work of O. Koshitsa. The reasons that led the artist to stay in a foreign country. Analysis of peculiarities of choir arrangements of Ukrainian folk songs and spiritual music. Renaissance of creativity of Koshytsia in Canada.