The dialogue of cultures, understood as the interaction of different artistic traditions, its form. The assimilation of foreign artistic traditions in the joint writing of works that combine elements of the cultural heritage of authors of various origins.

Characteristics of the artistic interpretation of the liturgical work of A. Wedel on the example of the Liturgy of St. John Chrysostom (C major). Performance presentation of the composer's liturgical works in modern liturgical and concert practice.

A speech-musical work is considered as a multimodal text created by the synthesis of speech and music, which are integrated and processed by the consciousness in a single universal-subject code of thinking. Realization of the aesthetic function.

The musical heritage of Hryhorii Levchenko - a modern famous choral conductor, composer, teacher, scientist, folklorist, public figure, founder and artistic director of the folk choir «Kalyna» in Poltava V.H. Korolenko National Pedagogical University.

The historical, theoretical and practical aspects of the Kashmir maqoms of Sufiyon Kalom, one of the genres of classical music of the Kashmir valley. Analysis of theoretical and practical aspects related to performing parda, usul, forms in maqoms.

Specific features of the synesthesis of the musical artist as a creative ability, determining her role in the professional artistic process in the genre of the musical. Analysis of the specificity of synesthesia as a projection of intonational hearing.

Востребованность музыки Астора Пьяццоллы как реформатора "мира танго" в современной культуре. Анализ стилевого обновления традиционного канона танго композитором. Проведение исследования "авторского" варианта преломления классического прообраза жанра.

Study of mechanical-acoustic features and properties of the piano in a holistic relationship with the organization of the musical form and artistic means of performance formed in the process of musical practice. The specifics of piano intonation.

Main directions of the study of the mechanical and acoustic features and properties of the piano in an integral relationship with the organization of the musical form and artistic means of performance, formed in the process of musical practice.

Studying the mechanical and acoustic features and properties of the piano in an integral relationship with the organization of the musical form and artistic means of performance. Research the specifics of piano intonation in the performing arts.

Analysis of the archetype of the trickster and its embodiment in the artistic images of Goat and Malanka in the oratorio "Barbivska kolyada" by the modern Ukrainian composer H. Havrylets. The etymology of the concept of "trickster" and its meaning.

История основания британской рок-группы "The Beatles". Состав рассматриваемого музыкального коллектива. Начало гастрольной деятельности и первые альбомы ансамбля. Мировая популярность и творческие разногласия между участниками легендарной четверки.

Влияние The Beatles, как одной из наиболее успешных групп XX века как в творческом, так и в коммерческом смысле, на рок-музыку и всемирное признание британских музыкантов. Творческие разногласия, приведшие к распаду группы, трагическая смерть Дж. Леннона.

Consideration of the history of the band the Beatls and its composition: John Lennon, Paul McCartney, George Harrison and Ringo Starr. Acquainting with their creativity (movies and albums "Revolver", "With the Beatles") and phenomenon of the beatlemania.

The article focuses on the first study of the source found in the Foreign Books Department of the National Library of Russia. The printed booklet contains the original text of the work performed in Berlin in 1785 under Johann Christoph Kuhnau (1735-1805).

The scientific article is devoted to the study of issues related to music in the work of the outstanding Azerbaijani poet and playwright Husein Javid and the implementation of his works in the works of composers. Using music on different instruments.

The peculiarities aspects of hermeneutic reception of the Ukrainian musical work - on a proper philosophical and cultural basis. The problem is that under the guise ofcultural legacy, they were overburdened not only with "losses" of the cultural memory.

Identity reigns between the form of the record disk and that of the world in which it plays. Technological developments that transformed the drums of the mechanical music boxes and organs into the mechanism of the phonograph. Records as the black seals.

Forms of representation in the virtual environment of opera houses with the same status - a national, academic theater that was not evacuated. Performance indicators of theaters, which can be markers of their virtual activity in wartime conditions.

A number of discoveries in the field of musical imagery and genre compositional and linguistically expressive planes of the modern discourse of the twentieth century mark the work of Borys Liatoshynsky. The special place in Liatoshynsky's legacy.

Creating the main forms of canonical worship as a musical genre - Liturgy and Vigil - are brought to the light. The identify of historical stages of Orthodox liturgical singing tradition and its transformation into a genre and form of music art.

The examines the work of Khan Shushinsky (1901-1979), a prominent representative of the Azerbaijani school of singing. The purpose to determine the principles of Khan Shushinsky’s performance, the features of the interpretation of mughams and folk songs.

The study of reaction of the cardiovascular system of persons with amputation of the lower limbs at the initial stage of the application of physical rehabilitation and dosed veloergometric load with the execution of pedal rotation with the upper limbs.

Theodor Adorno`s writting on jazz - "some of the stupidest pages ever written". Ignorance of the specifically American features of jazz. Two misconceptions associated with Adorno`s use of the term "jazz". Styles and currents of the German "Jazz Age".

Areas of development of artistic technologies in theater and concert activities, reflecting the dynamics of the formation and transformation of sound design for the creation of artistic image on the stage. Development of cultural potential of Ukraine.

Highlights the research project Harbingers, whose goal was to find out if the new wave of millennial researchers will become agents of change. Changes in attitudes and behavior of the new wave of academic researchers towards the academic library.

The embodiment of the numinous in R. Wagner's opera "Tanghauser". Characteristics of the appeal to the libretto and music, which are considered as primary sources without touching the content of numerous stage interpretations and performance readings.

The ontogenesis of the symphonic compositions in the early creativity of Valentyn Silvestrov. Analysis of the Second, Third, and the Fourth Symphonies and their compositional dramaturgy within the historical-stylistic genesis of a Ukrainian symphony.

A combination of national and Western means of musical expression in contemporary Chinese art. Consideration of the problem of interpreting the stage image of female warriors in opera productions. Analysis of the features of Guan Xia's writing style.

Consideration of the libretto of the opera of the modern Finnish composer K. Saariaho. An intertextual organism of an opera with an organically intertwined beauty of orchestral fabric, subtle scales of vocal intonations and compositional technique.