The mechanisms of analysis and evaluation of musical works in relation to neuroscience. A projection of developments of neuroaesthetics from visual forms of art to music as an audio system. Correlation of the laws of the brain with the art of music.

Music semiotics emerged later than other areas of semiotics. The content formed by visual, verbal and sound material in their subordination and interdependence, as well as the study of the context of the message that carries artistic information.

The phenomenon of music in audiovisual art. The work of Ennio Morricone in world cinema is analyzed. This approach made it possible to deeply reveal the role of music in the screen arts, to show the peculiarities of the collaboration between the director.

The problems of determination of dimension of existence of music in philosophical and aesthetic views on art. Consideration of Oswald Spengler musical intentions in relation to the ethos of culture. The implementation of culture styles in music.

The place of music computer technologies in the modern history of music. Patterns of development of musical art, study of music of different styles, eras in their systematicity. Improvement of musical language, composing methods, texture of musical works.

A comprehensive study of the little-known directions of the performance work of the well-known Ukrainian composer M. Lysenko. The first experience of analyzing the performing practice of M. Lysenko as an accompanist and ensemble player in musicology.

The national manifestations in music. The study of national traditions in A. Ginastera’s music. The composers’ and performance principles of A. Ginastera’s vocal creative work in the context of the specifics of the Argentine national vocal tradition.

The history of music in XIX-th century in a form other than that of monographs about the leading composers, interspersed with outlines of cultural history which find room for the "minor masters". The composers of the works which constitute the "canon".

The stylistic features of a new choreographic interpretation of P. Tchaikovsky's famous ballet "The Nutcracker" by R. Poklitaru. Exploring of the choreographer's non-standard creative vision, his specific style and a new approach to Hoffmann's tale.

The history of the formation of the group Nirvana by K. Cobain and K. Novoselic. Nirvana release first single "Love Buzz". Participation Chris Albini to record the album "Puss"/"Oh, the Guilt". The making of the music video for "Smells Like Teen Spirit".

Nu metal is a fusion of alternative metal with such styles as grunge, groove metal, hip-hop. This genre was one of the most popular in the mid-1990s and early 2000-ies. Popular bands playing in the style of nu metal, their main tools and traits.

Study of the consolidating significance of folk music culture in war conditions, its role in the formation of national identity. Analysis of the historical and genre features of the song "Oi u luzi", which became the March of the Ukrainian sich Riflemen.

In harpsichord teaching and performance, in thorough-bass accompaniment the treatises of de Saint Lambert, F. Couperin. Rameau are the basic instruction editions. Only de Saint Lambert and his two treatises bring forth many bio-bibliographic questions.

Time as musical problem. Dynamization and negation time by painting, Raumkunst. Syncretism, the vague notion of an undialectical continuum of arts in general. The pseudomorphosis toward painting, one of the key categories for Stravinsky. Language of art.

Substantiation of stages of work on a musical work in the classroom of instrumental training. Inserting text into finger-motor motility, periodicity of the transformation of the sounds of music into a picture with immanent artistic and figurative colors.

Mastery of the musical language, artistic and expressive means of expressiveness, compliments in the field of performing and percussion-noise techniques. Peculiarities of working on a musical piece in the class of instrumental training (bayan/accordion).

Problems presented by the attempt to translate Adorno. Associating the word "analysis" in music with the idea of all that is dead and removed from the living work of art. The music as an event in any adequate analysis of Beethoven. The "holistic" method.

Complex importance of performing hearing musician. Interrelation of performing breathing, resonators and ear pads as the basic condition for improving the integral, synthetic nature of the academic sound-forming apparatus of a professional musician-fan.

The problem of the phenomenon of "thinkig". Identification and substantiation of the individual characteristics of the musician in the interpretive performance process and the feasibility of their development in the process of learning to play the piano.

The article opens one of the new pages of G.F. Handel, relating to the early period of the composer's work, and also fits the compositions into the context of the traditions of the productions of the Hamburg Opera House. Dramatic conflict between gods.

Features of using contemporary types of professional breathing by musicians playing wind academic instruments. Revealing of peculiar criterions of modern types of performer breathing and their particular principles of performing and practical use.

The study of the essence of the issues of interaction between the literary source and the musical drama. Consideration of the opera "Idiot", completed by the Russian composer M. Weinberg and staged on the leading Russian stages in the creative season.

Definition of features of program music in the study of piano works of one of modern Bukovinian composers - Joseph Elgiser. Investigation of the development of professional musical art in Bukovina. Finding out the basics of piano music in the region.

The examines the relevance of studying the work of the outstanding Ukrainian composer Mykola Leontovych. An attempt has also been made is made to prove the importance of students' awareness of the importance of the composer's innovative achievements.

Identify typical genre-stylistic of E. Goossens's composition in the context of the development of the concert style of oboe performance. Have marked the overcoming of the formality of rondeau nature by the continuity of performance form-creation.

The article examines the performance and semantic features of Borys Liatoshynsky's chamber music style, focusing on the Sonata for Violin and Piano (1926), a landmark work of the composer's modern period. Actively inspired by new expressive components.

Orthodox singing - an autonomous melodic and stylistic system, acting as a unity of liturgical everyday and authorial musical language installations. Canon as one of the leading cultural universals and key concepts in the Orthodox singing tradition.

Studying of essence of a problem of musical time in XX century music. The organization of sound events in a temporary continuum. Comparison of philosophical concepts of time of A. Bergson, E. Gusserl, Zh. Delez to musical compositions of New music.

Time problem in new music in the context of philosophical reflections. Comparison of the philosophical concept and estetiko-philosophical purposes of composers of the second half of the 20th century. Structuring musical time and its various concepts.

The purpose of the article is to study the mechanical-acoustic features and properties of the piano in a holistic relationship with the organization of musical space and artistic means of performance, which were formed in the process of musical practice.