A comprehensive analysis of the musical-aesthetic, socio-cultural, cultural-historical prerequisites for the development of rock music in Ukraine. The influence of rock music on the musical-aesthetic thesaurus, value orientations, and national identity.

The peculiarity of the interpretative thinking of representatives of the rhetorical piano performing style. The programmatic view on the piano interpretation from the position of unity of the manner of presenting composer's style and music perception.

The theory of chamber ensemble performing claims independent quality and appropriate conceptual and terminological framework. The common scientific and methodological foundation of theory and history of instrumental chamber ensemble performance.

Analysis of intercultural relations of Azerbaijan after the collapse of the Soviet Union. Preparative of alternative programs for the development of national culture, music and art. Research of the phenomenon of the contemporary music ensemble "SoNoR".

The role of inclusive education, its ability to adapt the educational space in accordance with the needs of different social groups. The creation of an inclusive educational, the problems of social adaptation of students with special educational needs.

Analyze repertoire works of the famous French performer, composer, teacher Frank Angelis - Suite "B.B. (Brel-Bach)" for accordion in the context of identifying the specifics of the composer’s interpretation of the genre and the principle ofpolystylistics.

Chinese Western music culture needs to explore an academic research trend that conforms to the development of the times from the individualized characteristics of musical works and composition, while fully reflecting the Chinese characteristics.

The study of the spiritual and cultural heritage of the great Turkic thinker, statesman, poet, musician Alisher Navoi. The embodiment of the traditions of oriental music in the composer's work, the harmony of the poetic word with the musical sound.

The history of the development of the American and British rock music, its relation to political activities. The expression of youth revolt against the consumer society. Analysis of the famous artists of the style. Musical instruments used at concerts.

Identification of directions of research of cantata creativity J.S. Bach. Consideration of aspects of genre nature, typology of works. Analysis of the composer's text as a complex of expressive qualities of Bach's artistic and intonation language.

Soul as a mixed style in modern variety and jazz performance, borrowed from African American folklore. Features of the interpretation of the stylistic palette of soul in the variety-jazz performance at the level of sound, dynamics, articulation and drama.

Analysis of practices of pop and jazz performance and of ideas about the ways of soul style entering the space of vocal art. Features of performance in soul style at the level of sound extraction, dynamics, articulation and drama have been identified.

The role and identification of stylistic particularities of the symbolism in the composer-artistic practice at the 18th - 19th centuries. The positions of international approach of Asafiev's school and elaborations of his followers such as Polish.

Consideration of cultural and historical prerequisites for the development of Ukrainian vocal and symphonic music. Genre-style analysis of the creation of Kharkiv composer A. Haydenko. Synthesis of folkloric trends in the master's vocal and choral work.

Academic musical and theatrical art is a manifestation of human creativity. "Mainstream theatricality", aimed at updating the methods of working with the stage space. The problem of the creative development of the individual in a socio-cultural situation.

The application of semantic, cultural, musicological methods in their systemic unity. The birth of a new stage of thinking with sounds - thinking with an instrument, when the latter "tells" the composer the direction of figurative dramatic development.

Music - the one of the most versatile branches of human self-expression. Main directions and modern forms of musical art. The most popular types of music: blues, classical, country, jazz, electronic, metal, punk, rock-n-roll, rock, rap and techno.

The paper attempts to consider the personal writings of the figures of 1950s-1970s Ukrainian vocal art from the standpoint of contemporary art research. The study the personal texts of the artists from the creative environment and institution Kyiv Opera.

Interpenetration of musical language elements, expressive means from one sphere to another and a new quality musical material. Describing of the "unionique music" phenomena, its introduction into the musicology’s use and its place in the musical culture.

The paper examines the genre and expressive-stylistic concept of Vб Kyreyko’s piano works on the example of his Ukrainian passacaglia, as well as its role and place in the history of Ukrainian culture of the twentieth and early twenty-first centuries.

Revelation of the peculiarities of reading of Markiyan Shashkevych's poetry in Bohdan-Yuriy Yanivskyi's vocal artefacts, describing of the means of musical expressiveness, their importance in creating an artistic image. The composer's creative heritage.

Особенность распространения понятия Voluntary на все полифонические органные сочинения английских мастеров XVII-XVIII века. Главная характеристика изучения фактора избирательности композиторов того времени в использовании самого термина Voluntary.

Documentary analysis of the heritage of Swiss rock music. Justification of the social and communication principles of the development of the Swiss school. Peculiarities of its development from the point of view of phono-documentary communication.

Дослідження музичного напряму world music як полістилістичного музичного явища на перетині глобалізаційних тенденцій і локального фольклоризму з погляду культурного феномену сучасності. Співвідношення категорій глобального та локального й глокального.

Вивчення життєвого шляху та творчої діяльності Анатолія Йосиповича Кос-Анатольського - українського композитора та народного артиста. Дитинство у Коломиї та студентські роки. Навчання у вищому музичному інституті імені М.В. Лисенка. Хорові пісні, кантати.

У статті розглянуто матеріали пошукової та науково-дослідницької діяльності дослідника А. Кушніренка. Визначено коротку характеристику двох випусків збірника "С. Воробкевич. Хорові твори", що налічує понад 100 майже невідомих творів композитора.

Российские пианисты, эмигрировавшие в Японию после революции 1917 г. Вклад А. Рутина, П. Виноградова и М. Шапиро в японскую музыкальную культуру, связь их работы в Японии с традициями русской пианистической школы. Черты русского культурного сознания.

Анализ драматургии исследуемого сочинения с точки зрения развития громкостной динамики, которая играет важнейшую роль в его формообразовании. Подходы к изучению Pianissimo в двух ипостасях: как имя тишины и как потенциальность forte, их соединение.

Феномен личности и творчества А. Глазунова в музыкальной культуре русского зарубежья. Взаимодействие композитора с русской диаспорой Парижа и французской публикой, особенности его психологической, социокультурной и творческой адаптации в инокультуре.

Определение взаимосвязи творчества А.С. Пушкина с русским музыкальным театром, посредством анализа отношения музыки к периодам жизни известного поэта. Музыкальный мир и выявление влияния творчества А. Пушкина на деятельность знаменитых композиторов.