The analysis of Myaskovsky's chamber-vocal works according to poems of symbolist poets of the XIX-XX centuries. The romance genre in the context of the culture of the Silver Age. Stylistics Myaskovsky in romances according to the poems of different poets.

Study the chamber-vocal works by N. Myaskovsky created on poems of symbolist poets in the line with cultural and aesthetic trends of the turn of the XIX-XX cent. in the context of the culture of the Silver age. The composer’s stylistics in romances.

Determination of the features of the poetics of Ukrainian musical folklore as a source of folk perception of history and life, necessary for transmission to descendants. Informativeness of verbal texts, the emotionality of which is enhanced by music.

Analysis of quantitative and qualitative parameters of the genre structure of contemporary ensemble works of Ukrainian authors. Dynamic of the evolution of the structure of chamber-instrumental genres. Description of common types of genre interference.

Development of robotic methods with orchestral groups and ensembles. The main role of the director in work with the team, the significance of rehearsal work and the interpretation of musical works are explained. Conducting the score on the piano.

Characteristics of the main functions of music in cinema, Features of the interaction of visual and auditory screen components. Principles of interaction between sound and image. Using the latest technologies in the work of composers with modern films.

Characteristics of pedagogical, musical and cultural components of professional education in Ukraine. Activation of creative abilities of masters of art specialties. Improving the effectiveness of the training process for highly qualified music teachers.

Presentation of the work "Fugue of Constantine" for string ensemble. Polyphonic, harmonic means, which the composer used to reflect the monogram of Christ in work. Analysis of the symmetry of the product, which is applied through the Fibonacci number.

Periodization of life and work of O. Koshitsa. The reasons that led the artist to stay in a foreign country. Analysis of peculiarities of choir arrangements of Ukrainian folk songs and spiritual music. Renaissance of creativity of Koshytsia in Canada.

Morphological analysis of the works of Rimsky-Korsakov, Mussorgsky, Borodin, Stravinsky. Identification of a set of invariant sound morphemes, the conceptuality of which is related to the associative and figurative possibilities of listening perception.

Analysis, studying of rock group as trademark. Consideration of rock group in dynamics of internal and external communications with representation in the form of special hyper structure with horizontal and vertical communications in sociocultural space.

The history of Chinese rock music. The Open Door Policy: new policy and new music. Yaogun – Chinese rock’n’roll. Official attitude towards changes in youth culture and spread of rock-music in China. Tang Dynasty, Black Panther, Chinese heavy metal bands.

The origins and traditions of Ancient Music UK. Areas of Madrigal British school based on the Italian model, in the fifties and in the modern period. Long history of border ballads Northumbria. Features and stages of development of British rock music.

Roza Rymbayeva is a Soviet and Kazakh singer, the national artist of the Kazakh Soviet Socialist Republic, the national artist of the USSR. She became the national artist at the age of 28. Her repertoire includes songs of Kazakh and foreign composers.

The role of the musical components as a whole of the modern show. The functional intend of the musical constituent of the integrity of the show as a business organization. Materials by the specifics of description of show-structures in business actions.

Describing of physical modeling of wind instruments provides digital sound synthesis based on a set of parameters that have a direct physical interpretation. Propagation of pressure waves in cylindrical and predominantly conical sections of saxophone.

Дослідження реформаторського мейнстриму у європейському музичному театрі першої половини XVIII ст. Національні та локальні реформаторські прояви подолання театральної кризи. Реформа Глюка як успішний кейс розв'язання проблеми оновлення оперного жанру.

Особливості оркестрового викладення Й. Брамса в скрипковому концерті. Розмежування зовнішньо- і внутрішньо оркестрового солістів. Лідируючі позиції духових і гобоя. Засоби створення кульмінації. Специфіка набору інструментального складу оркестру.

Взаємодія зовнішньо і внутрішньо оркестрових солістів в основі аналізу оркестрування. Основні оригінальні прийоми Й. Брамса: регулярні зміни густини викладення, незвичні дублювання, своєрідна динамізація репризи, неочікуванно тривале солювання гобою.

Information about the sonorous and expressive properties of the harmonic peak, widely covering the principles of coloristic functions of special sound engineering techniques. Analysis of some aspects of the harmonic vertical for their uniqueness.

Study of two piano sonatas by Scriabin, which represent the peculiarities of his piano style as a phenomenon. Analysis of his grandiose macrocycle of 10 sonatas as a compendium of the principles of piano thinking characteristic of the post-romantic era.

The dialogue of cultures, understood as the interaction of different artistic traditions, its form. The assimilation of foreign artistic traditions in the joint writing of works that combine elements of the cultural heritage of authors of various origins.

Characteristics of the artistic interpretation of the liturgical work of A. Wedel on the example of the Liturgy of St. John Chrysostom (C major). Performance presentation of the composer's liturgical works in modern liturgical and concert practice.

General and specific characteristics of the formation of musical culture in the industrially developed region of Siberia, while maintaining the diversity of musical traditions. Ways of formation of regional musical culture, its main characteristics.

An examination of Andrew Lloyd Webber as a leading composer who contributed greatly to the development of popular and academic music. Study of the specificity of the artist's individual style. Highlighting signs of appeal to stylistic diversity.

A speech-musical work is considered as a multimodal text created by the synthesis of speech and music, which are integrated and processed by the consciousness in a single universal-subject code of thinking. Realization of the aesthetic function.

Gaudeamus Igitur - one of the most popular academic commercial song in many European countries. The Student Polka - an instrumental composition, that consists of wooden wind ensemble, metal winds, string ensemble and tympanum from percussion section.

The musical heritage of Hryhorii Levchenko - a modern famous choral conductor, composer, teacher, scientist, folklorist, public figure, founder and artistic director of the folk choir «Kalyna» in Poltava V.H. Korolenko National Pedagogical University.

The historical, theoretical and practical aspects of the Kashmir maqoms of Sufiyon Kalom, one of the genres of classical music of the Kashmir valley. Analysis of theoretical and practical aspects related to performing parda, usul, forms in maqoms.

Specific features of the synesthesis of the musical artist as a creative ability, determining her role in the professional artistic process in the genre of the musical. Analysis of the specificity of synesthesia as a projection of intonational hearing.