The peculiarities aspects of hermeneutic reception of the Ukrainian musical work - on a proper philosophical and cultural basis. The problem is that under the guise ofcultural legacy, they were overburdened not only with "losses" of the cultural memory.

Identity reigns between the form of the record disk and that of the world in which it plays. Technological developments that transformed the drums of the mechanical music boxes and organs into the mechanism of the phonograph. Records as the black seals.

Forms of representation in the virtual environment of opera houses with the same status - a national, academic theater that was not evacuated. Performance indicators of theaters, which can be markers of their virtual activity in wartime conditions.

A number of discoveries in the field of musical imagery and genre compositional and linguistically expressive planes of the modern discourse of the twentieth century mark the work of Borys Liatoshynsky. The special place in Liatoshynsky's legacy.

Creating the main forms of canonical worship as a musical genre - Liturgy and Vigil - are brought to the light. The identify of historical stages of Orthodox liturgical singing tradition and its transformation into a genre and form of music art.

The examines the work of Khan Shushinsky (1901-1979), a prominent representative of the Azerbaijani school of singing. The purpose to determine the principles of Khan Shushinsky’s performance, the features of the interpretation of mughams and folk songs.

The study of reaction of the cardiovascular system of persons with amputation of the lower limbs at the initial stage of the application of physical rehabilitation and dosed veloergometric load with the execution of pedal rotation with the upper limbs.

Theodor Adorno`s writting on jazz - "some of the stupidest pages ever written". Ignorance of the specifically American features of jazz. Two misconceptions associated with Adorno`s use of the term "jazz". Styles and currents of the German "Jazz Age".

Areas of development of artistic technologies in theater and concert activities, reflecting the dynamics of the formation and transformation of sound design for the creation of artistic image on the stage. Development of cultural potential of Ukraine.

Highlights the research project Harbingers, whose goal was to find out if the new wave of millennial researchers will become agents of change. Changes in attitudes and behavior of the new wave of academic researchers towards the academic library.

The embodiment of the numinous in R. Wagner's opera "Tanghauser". Characteristics of the appeal to the libretto and music, which are considered as primary sources without touching the content of numerous stage interpretations and performance readings.

The ontogenesis of the symphonic compositions in the early creativity of Valentyn Silvestrov. Analysis of the Second, Third, and the Fourth Symphonies and their compositional dramaturgy within the historical-stylistic genesis of a Ukrainian symphony.

A combination of national and Western means of musical expression in contemporary Chinese art. Consideration of the problem of interpreting the stage image of female warriors in opera productions. Analysis of the features of Guan Xia's writing style.

Consideration of the libretto of the opera of the modern Finnish composer K. Saariaho. An intertextual organism of an opera with an organically intertwined beauty of orchestral fabric, subtle scales of vocal intonations and compositional technique.

A comprehensive analysis of the musical-aesthetic, socio-cultural, cultural-historical prerequisites for the development of rock music in Ukraine. The influence of rock music on the musical-aesthetic thesaurus, value orientations, and national identity.

The peculiarity of the interpretative thinking of representatives of the rhetorical piano performing style. The programmatic view on the piano interpretation from the position of unity of the manner of presenting composer's style and music perception.

The theory of chamber ensemble performing claims independent quality and appropriate conceptual and terminological framework. The common scientific and methodological foundation of theory and history of instrumental chamber ensemble performance.

Analysis of intercultural relations of Azerbaijan after the collapse of the Soviet Union. Preparative of alternative programs for the development of national culture, music and art. Research of the phenomenon of the contemporary music ensemble "SoNoR".

The role of inclusive education, its ability to adapt the educational space in accordance with the needs of different social groups. The creation of an inclusive educational, the problems of social adaptation of students with special educational needs.

Analyze repertoire works of the famous French performer, composer, teacher Frank Angelis - Suite "B.B. (Brel-Bach)" for accordion in the context of identifying the specifics of the composer’s interpretation of the genre and the principle ofpolystylistics.

Chinese Western music culture needs to explore an academic research trend that conforms to the development of the times from the individualized characteristics of musical works and composition, while fully reflecting the Chinese characteristics.

The study of the spiritual and cultural heritage of the great Turkic thinker, statesman, poet, musician Alisher Navoi. The embodiment of the traditions of oriental music in the composer's work, the harmony of the poetic word with the musical sound.

The history of the development of the American and British rock music, its relation to political activities. The expression of youth revolt against the consumer society. Analysis of the famous artists of the style. Musical instruments used at concerts.

Identification of directions of research of cantata creativity J.S. Bach. Consideration of aspects of genre nature, typology of works. Analysis of the composer's text as a complex of expressive qualities of Bach's artistic and intonation language.

Soul as a mixed style in modern variety and jazz performance, borrowed from African American folklore. Features of the interpretation of the stylistic palette of soul in the variety-jazz performance at the level of sound, dynamics, articulation and drama.

Analysis of practices of pop and jazz performance and of ideas about the ways of soul style entering the space of vocal art. Features of performance in soul style at the level of sound extraction, dynamics, articulation and drama have been identified.

The role and identification of stylistic particularities of the symbolism in the composer-artistic practice at the 18th - 19th centuries. The positions of international approach of Asafiev's school and elaborations of his followers such as Polish.

Personified connections between Ukrainian and Polish cultural figures in 1960. Cultural dialogue between Soviet Ukraine and Poland bypassing Moscow's ideological control. Dissemination of information about Ukrainian musical culture through Polish Radio.

Consideration of cultural and historical prerequisites for the development of Ukrainian vocal and symphonic music. Genre-style analysis of the creation of Kharkiv composer A. Haydenko. Synthesis of folkloric trends in the master's vocal and choral work.

Academic musical and theatrical art is a manifestation of human creativity. "Mainstream theatricality", aimed at updating the methods of working with the stage space. The problem of the creative development of the individual in a socio-cultural situation.