Performative and semantic space of Borys Liatoshynsky’s instrumental expressiveness in the 1920s: sonata for violin and piano (1926)
The article examines the performance and semantic features of Borys Liatoshynsky's chamber music style, focusing on the Sonata for Violin and Piano (1926), a landmark work of the composer's modern period. Actively inspired by new expressive components.
| Рубрика | Музыка |
| Предмет | Musical art |
| Вид | статья |
| Язык | английский |
| Прислал(а) | Zhang Han |
| Дата добавления | 10.10.2024 |
| Размер файла | 22,5 K |
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