Rethinking Igor Stravinsky historically and theoretically — III
Morphological analysis of the works of Rimsky-Korsakov, Mussorgsky, Borodin, Stravinsky. Identification of a set of invariant sound morphemes, the conceptuality of which is related to the associative and figurative possibilities of listening perception.
Рубрика | Музыка |
Вид | статья |
Язык | английский |
Дата добавления | 25.11.2023 |
Размер файла | 729,8 K |
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