The numinous and it’s revealment in the phenomenology of religion in R. Wagner’s opera "Tannhаuser"
The embodiment of the numinous in R. Wagner's opera "Tanghauser". Characteristics of the appeal to the libretto and music, which are considered as primary sources without touching the content of numerous stage interpretations and performance readings.
| Рубрика | Музыка |
| Вид | статья |
| Язык | английский |
| Дата добавления | 26.04.2023 |
| Размер файла | 25,3 K |
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