Expression features of satiristic poems in riddle form written by Ali Nazmi published in "Mullah nesreddin" magazine

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Expression features of satiristic poems in riddle form written by Ali Nazmi published in “Mullah nesreddin” magazine

S. Namazova

Вірші-загадки займають важливе місце у творчості поета-молланасреддінця Алі Назмі. Загадки у вигляді сатиричних уривків становлять особливий розділ у багатій поетичній спадщині поета. У багатьох виданнях журналу “Mullah Nesreddin” містяться сатиричні загадки, що належать перу поета, і навіть відповіді у формі віршів самого автора або його колег. Разом з тим, що ці зразки написані у відповідності із загальним духом журналу, вони також чітко відображають в собі стиль поета.

Ключові слова: «Молла Насреддін», Алі Назмі, вірші-загадки, сатира Стихи-загадки занимают важное место в творчестве поэта-молланасреддинца Али Назми. Загадки в виде сатирических отрывков составляют особый раздел в богатом поэтическом наследии поэта. Во многих изданиях журнала "Mullah Nesreddin" опубликованы сатирические загадки, принадлежащие перу поэта, а также ответы в форме стихов самого автора или его коллег. Наряду с тем, что эти образцы написаны в соответствии с общим духом журнала, они также четко отражают в себе стиль автора.

Ключевые слова: «Молла Насреддин», Али Назми, стихи-загадки, сатира satirical riddle nesreddin

The riddle-poems occupy an important place in the work of poet-mollanasreddint Ali Nazmi. The riddles in the form of satirical passage are the special branch of the poet's rich heritage. Many editions of the "Mullah Nesreddin" magazine contain satirical riddles belonging to the poet and even responses in the form of poems by the author himself or by his colleagues. Along with the fact that these samples are written in accordance with the general spirit of the magazine, they also clearly manifest poet's style.

Key words: “MollaNasreddin”, Ali Nazmi, riddle-poems, satire.

One of the most prominent in the creative style of the Molla Nasreddin magazine is poems in the form of riddles. These satire poems gave an opportunity to the author to present some unpleasant actions in the society with satirical style.

One of the most appealing writers to this kind of writing in his creation is a prominent poet Ali Nazim. His pseudonym was "Kefsiz (meaning of this word is sadly)". One of his “riddle” that publishen in 1911 in the sixth edition of “Mullah Nesreddin” magazine he addressed to Hatif (We should mention that “Hatif” was one of the secret nicknames of Mirze Mehemmed Akhundov), it is very interesting in critical and content point of view:

Who could not celebrate a Sacrifice holiday If Mullah doesn't cut the sheep, the sheep can not be cut even 2-3 day Hatif ! Why? Explain this trick for me ? [7].

In the other riddle [8], Ali Nazmi used all the methods to show clearly the ugly image of Mullah, creating a vocal portrait of the negative type, and addressed to his pen - friend Mirza Mohammad Hatif:

Head is an iron beetle,

The mouth is an eye of the sheep,

Ear is a shield, the nose is an eggplant,

Beard is upright bearded, mustache is nettle ,

His clothes are spiritual, artistic,

He is looks like a lamb but in reality a lion,

He is a man in the picture, in fact he is a devil,

What is he, Hatif! Who is he ?

Find and Tell Me That! [8]

Despite the large number of satirical samples written in the form of riddles in Ali Nezmi's works, as well as in the separate numbers of their poems Mullah Nasreddin magazine, in most cases, these writings were sometimes misinterpreted as Sabir's works. All of this, of course, the result of similarity between them in expression point of view and, the unity of their profession. One of the satirical pieces written by Ali Nezmi in the riddle form was published in "Mullah Nasreddin" magazine and refered (written as Sabir's work ) as Sabir's [4]. After the publication of the peom, Mirza Mehemmed Akhundov's respond to him was published at the magazine later (“Mullah Nesreddin”). So, M. Akhundov wrote in response to the riddle (riddle that published at the 28th edition of Molla Nasreddin. dated July 18,

Meaning if the riddle:

Most people are sad when they see Arifs

(Arif means man who understands everything, clever one)

Some people are very glad When they see uneducated men.

Who are they ?

If you think well , you will find.

They are Hajis (Haji means pilgrim) [5].

In a satirical example published in the 31st edition of the Molla Nasreddin magazine, dated August 8, 1910, the author has shown his work to keep the people ignorant by worrying about the existence of intelligent people, red-handed pilgrims and loyalists emphasized that the adjectives were mainly of hypocritical religious figures. The fact that Mirza Mahammad Akhundov's satirical writings were published in the "Molla Nasreddin" magazine, mostly under the signature of "Hatif," gives him a reason to say that the author of the article, Mirza, author of the art samples, Mohammed (Mehemmed) Akhundov. While paying attention to the characteristics of his works, in fact this idea is confirmed. We should mention that, the last research was clarified the author (A. Nazmi or M.M. Akhundov) of the riddle “What is he/she? and respond to the riddle “When one see arif man” [1, p. 21].

In the subsequent edition of the magazine, the author published a series of satirical poems in the form of puzzles and published such poems in the pages of the Mullah Nasreddin magazine, which, in turn, chose to expose not only the appearance, but also the mysterious types of characters in an interesting form and methods. Meaning of the reddle:

The beard is long, the coward, the abandoned,

Annie has two fingers, a narrow eye.

The prisoner was in high spirits, scarred, chestnut,

A hundred years old humpbacked man, and a piggy-nosed.

The attitude is painful, the talk is unsophisticated,

He is a god-fearing, pious,

It is imppossible to speak something to him/her.

Hatif, tell me, what is this she/he? [9]

Generally speaking, poems bearing such a kind of expression by Ali Nezmi have been given in the different numbers of Molla Nasreddin under the heading of an unnamed and "Riddle". The satirical example is also characteristic of this point of view in the 32nd edition of the magazine, dated on 22 August, 1910:

Find which province guests are infants?

Their Mullah is like a frog and snake Their judge is a hangman [6].

Sabir's creative collaboration with Ali Nezmi started with "Mullah Nasreddin" and gradually became more and more intensified in his relationship with Sabir's literary school as a prominent poet. This backgraund had been prepared in Ali Nazmi's and others creation step by step and by natural way. Professor of Eastern Studies Memmed Memmedov researched and observed this process attentivle. He wrote: “Poets of Sabir literary school could not accept and understand the poetic style, satirectional expression and specific writing managers of their masters, he gradually adopted them. Mu§ahidolor gostorir ki, 1906-ci ilin ortalarindan ba§lanan bu dorketmo vo monimsomo prosesi toxminon 1907-ci ilin axirlarina qodor davam etmi§dir. Sabir satirasinin tosiri altinda yazilmi§ bozi §eirloro “Molla Nosroddin” jurnalinin ilk illorindo ara-sira tosaduf edilso do, bu tosir 1908-ci ildon etibaron ozunu daha da qabariq §okildo gostormoyo ba§layir. Diqqotolayiq haldir ki, Sabir ononolori ilo bu vo ya digor dorocodo bagli olan §airlorin 5oxu mohz bu vaxtdan satirik §eiro ke?mi§, oz monzum osorlori ilo “Molla Nosroddin” sohifolorindo muntozom surotdo ?ixi§ etmoyo ba§lami§dilar” [2, p. 96].

It should be noted that this is not the only fact about making mistake of the author's copyright in Sabir's poetry school. The three companions written by Ali Nezmi were mistakenly included to Sabir's collection because of the similarity in their ideological creation [2, p. 144].

Who were the lucky ones in the universe? - Mullah asked me.

I showed Mollan's And he confirmed this, even definitily confirmed [3].

All the Sabir's poems were given under the name of "Gilmanj" in "Mullah Nasreddin" magazine, but such poems belonging to Ali Nezmi were mostly mentioned under the name "Gamchi" and "Tapmaja" in the magazine. On the other hand, each aouthors or each of the pen holders, who have come to the condolence and each has a unique title. The satirical example that is talked about was kept in Ali Nazim archives. And this fact is confirmed Ali Nezmi's authorship.

Bibliographic references

Bayramoglu A. Mollanosroddin^i Mirzo Mohommod Axundov // AMEA-nin Xoborlori. Humanitar elmlor seriyasi. Baki, 2009, № 3-4, soh. 17-23.

Mommodov M. M.0.Sabir: mubahisolor, hoqiqotlor. Baki: Yazi9i, 1990.

“Molla Nosroddin” jurnali. 11 iyul 1910, № 27.

“Molla Nosroddin” jurnali. 18 iyul 1910, № 28.

“Molla Nosroddin” jurnali. 8 avqust 1910, № 31.

“Molla Nosroddin” jurnali. 22 avqust 1910, № 32.

“Molla Nosroddin” jurnali. 7 fevral 1911, № 6.

“Molla Nosroddin” jurnali. 16 mart 1911, № 11.

“Molla Nosroddin” jurnali. 27 avqust 1911, № 31.

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