" ":
" ". . - .
| 26.11.2023 | |
| 27,3 K |
. ,
, , , , .
http://www.allbest.ru/
..
: ?
,
- ' , . . ' 1960- 1970- -, -, - . - . . , , , , : , , :^ . . . . - , , , . . , ( ). , , , .
: , , , , , .
Abstact
Liu FAN
Aspirant Sumy State Pedagogical University named after A.S. Makarenko, Sumy, Ukraine,
CHINESE CHORAL ART OF THE "CULTURAL REVOLUTION": PERIOD OF CRISIS OR MODERNIZATION?
The purpose of the article is to find out the peculiarities of the functioning of Chinese choral art during the cultural revolution, to reveal the achievements of Chinese choral music of the specified period and to determine their influence on the further development of choral creativity. The methodological basis. Historical-comparative, intonation-stylistic, structural-systemic methods are used in the article to objectively characterize the choral art of China in the 1960s and 1970s. Methods of comparative and musicological analysis were used to establish the genre-stylistic features of Chinese choral works of the cultural revolution period. Scientific novelty of the article consists in establishing the peculiarities of the development of choral art in China during the cultural revolution period. Musicological analysis is used to determine the genre system and stylistic features of musical forms and vocabulary of choral compositions of this period. Conclusions. Choral art in China during the cultural revolution had a controversial character The basis
of creative activity was the expression of the revolutionary mood of the time. Most of the choral compositions are samples of red music that glorified the greatness of China, its Kermanich and government, socialist way of life, etc. But even under such conditions, this era became a time of introducing innovations and transforming the national musical heritage on a new level. The assimilation of European musical experience and compositional techniques took place along with the involvement of ancient melodies from the provinces of China, which were arranged for the choir (often with soloists and accompanied by a symphony orchestra). Innovations and achievements of the choral work during the ''cultural revolution prove that this period was not only negative and dead-end, but also had positive trends.
Key words: choral art of China, cultural revolution, ideological pressure, composer's creativity, crisis phenomena, modernization.
, ' , . , (1966-1976 ) , . , , , , - .
, . . , , .
, , ( , 2020). ( , 1989), ( , 2000), ( , 2010).
, - , . . , ' , .
- ' , .
- 1966 1976 - , . , . . dz , .
. : , - . , ( , 2022).
㳿 . , - (1949-1966) , , , - . , - .
, , ( , 2022). . , . : -, , -, .
³ , , . , , . , , . , .
ϳ , , . ̳ , . , . . , , : , . , .
, , , - , . , . : , , 1970- , . , .
, , ˳ , . ϳ 1930- , 1950- . . . , . . . ( ) (1970).
, , . 㳿 . , , . - . ˳ - , . - , , .
, 1960- . , , , . , , . - - 䳻. , , , (Wong J., 2020). , .
, , - 1971-1976- - ( , 2010). 1970- ( ). , , . , , - , , .
- . 1970- (., , ). , . , 1980- . ' , .
, . , . , - . . 1971 , . , .
, , , , . ' , . ' . Dong Song Sings to Beijing, , Miaoling Even Beijing, ( , 2010).
, , . , . - , . 糿 . , (ϳ , ϳ , ⳻ .) ( , 2010).
, - , , . , - . , (, , ). , , . .
ϳ ' 1965 , . , ' . , . ³ , , , , , , . - , 㳺.
1970- , : . ϳ 1976 - - , - . , :
( ) ;
( );
;
. (Wenzhuo, 2017).
, , , , ( , 2009). .
, , . , . , ( ), . , , , .
(19661976) . , - , . , . , , , , .
. . , 䳿 , , , .
ֳ , , . .
˳
1. . (1946 - 1976). . , 1989. J 2. . 20-23. ( )
2. . 䳿 . Scientific herald of Tchaikovsky National Music Academy of Ukraine. , 2020. Issue 127. . 137-147.
3. . (w١20й ˼άоѧԺ 2010N 31 ҳDissertation. Beijing Central Conservatory of Music 2010, 31) ( ).
4. . . . , 2019. . 63. . 65-75.
5. , . . : - . : . . . . .. .. . : , 2022. . 22 (1). . 141-156.
6. . . : , 2009. 853 . ( )
7. . . : . . . . . , 2013. . 42. . 80-87.
8. . . : , 2002. 5. 50 . ( )
9. . . : , 2000. 709
10. . . XX : . Humanity space International almanac. Vol. 10, 5, 2021. . 611-619.
11. . (wǰ s㒆^оϾϾѧԺ2010N10ҳDissertation. Nanjing Un-ty of the Arts, Nanjing, 2010, 10) ( ).
12. Wenzhuo Z. Exploring and Listening to Chinese Classical Ensembles in General Music. General Music Today. 2017. Vol. 1. 3. P. 20-35.
13. Wong J. Chinese Musical Culture in the Global Context - Modernization and Internationalization of Traditional Chinese Music in Twenty-First Century. Chinese Culture in the 21st Century and Its Global Dimensions. 2020. Vol. 1. 3. P. 105-122.
References
1. Wang Yuhe. (1989). Choral music of modern China (1946-1976). Research on music. Beijing, 2, 20-23. [in Chinese].
2. Gui Junjie. (2020). The evolution of choral culture in Shanghai in terms of interaction with the traditions of European musical art [Evoliutsiia khorovoi kultury Shankhaiu v aspekti vzaiemodii z tradytsiiamy ye^vropeiskoho muzychnoho mystetstva]. Scientific herald of Tchaikovsky National Music Academy of Ukraine. Kyiv. Issue 127. Pp. 137-147.
3. Ren Xiulei. (2010). Research on Chinese Choral Creation Thinking in the 20th Century [Doslidzhennia k^taiskoi khorovoi tvorchosti v KhKh stolitti]. Beijing: Central Conservatory of Music. 2010, 31 p. [in Chinese].
4. Kaisen Yang. (2019). European origins of choral art in China [Ye^vropeiski v^ytoky khoro^voho m;ystetstva Kytaiu]. Culture Of Ukraine. Kharkiv, 2019. Issue 63. Pp. 65-75.
5. Liu Fan, Stakhevich H.O. (2022). Choral art of China in the second half of the 20th century: a historical and stylistic excursion [Khorove mystetstvo Kytaiu druhoi polo^;yn;y KhKh stolittia: istoryko-stylovyi ekskurs]. Musicological opinion of the Dnipropetrovsk region: a collection of scientific works of the Dnipropetrovsk Academy of Music named a^er M. I. Hlinka. Dnipro, 2022. Issue 22 (1). Pp. 141-156.
6. Liu Jingzhi. (2009). History of new Chinese music. Hong Kong. 853 p. [in Chinese].
7. Lian Liu. (2013). State and trends of development of choral art in China [Sostoianyey tendentsyy raz^vytyia khoro- vohoyskusstva v Kytae]. Culture of Ukraine: collection of sciences. Kharkiv, 2013. Vol. 42. Pp. 80-87 [in Ukrainian].
8. Ma Gashun. (2002). New publications on the art of choral singing [Novi vydannia z m^stetst^a khorovoho sprvu]. Shanghai, 2002. Issue 5. 50 p. [in Chinese].
9. Sun Tsunin. (2000). Handbook of choral art [Dovidnykz khorovoho mystetstva]. Shanghai: Shanghai Music Publishing House. 709 p. [in Chinese].
10. Ts. Liu. Choral culture in China in the 20th century: the main milestones of development [Khoro^va kultura v Kytai v XXstorichchi: osnovni vikhy stanovlennia]. Humanity space International almanac. Vol. 10, Issue 5, 2021. P. 611-619 [in Ukrainian].
11. Qiao Bangli. (2010). Research on Chinese Contemporary Small and Medium-Sized Chorus Creation [Doslidzhennia suchasnoi kytaiskoi khorovoi tvorchosti maloi ta serednoi form]. Nanjing, 2010. 10 p. [in Chinese].
12. Wenzhuo Z. (2017). Exploring and Listening to Chinese Classical Ensembles in General Music. General Music Today. Vol. 1. 3. P. 20-35. [in English].
13. Wong J. (2020). Chinese Musical Culture in the Global Context - Modernization and Internationalization of Traditional Chinese Music in Twenty-First Century. Chinese Culture in the 21st Century and Its Global Dimensions. Vol. 1. 3. Pp. 105-122. [in English].
Allbest.ru
, . . , , , , , .
[36,4 K], 08.11.201020- . . . . . ̳ .
[79,8 K], 26.01.2009³ . - . , , . . .
[31,4 K], 27.04.2013. . . 30-40- . .
[36,7 K], 21.02.2012. ϳ . . 糿 .
[21,2 K], 24.11.2017, . , , .
[23,4 K], 27.08.201720- . ., . . ˳ : , , ˲. : , .
[36,5 K], 25.02.2012. . . - . "" .
[34,8 K], 26.02.2015. .. . ˳ . . " ", . " ".
[33,5 K], 03.11.2011. , . . . .
[17,8 K], 18.03.2009
