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- . , , г . 1. (巨). : [], , , . - - -, [ ] , [ ] , , [ , ] ˳ (^߅Ҫo, ǰ߅. ̨ɽFgڸӿ͵, ִŽ[Rgڲˈ@, Ҫ ͬǬȥ, ȥI, յÜ¡Ҳ) [Jin 1998, 48]. 2. (A). [], : , , . , : , . : , 볻 (^eɂһRfԒ, 횲һf , һf, ҪһPA. ߹´޵f Ϣŭ,  Сɮf, f ff Ҳ) [Jin 1998, 52]. 3. 쳿 (߻Ҿ). , ' 䳿 . : , [] , [ ] . . , , , , (羰ꖌڔS ڰ , ʯB Ӕ ֵҲ. E֮, o, , бһl, ק֮ͨwӻ) [Jin 1998, 53]. 4. (ī). . , ', . : , [, ] [] , [] , [] , [] , [] , [] . . (f, ־Y, fL, ɴ, ߀׽ν, ףfҲ) [Jin 1998, 58]. 5. (d̷). , . : , , , ; , . , [ ] , (绨s Ҫν_, ν; wҪɽ, νס, һα㲻Ҳ. Pī, ֱM) [Jin 1998, 59]. 6. (Y䁷۷). ' . : , ˳ ; , , (Ҫrνp, X; Ҫrʯ, X ۺTҲ) [Jin 1998, 61]. 7. (Ū). - , . , ( ), ' . , , ' . , , ; ' . - : ³ , 󅔻 (ǰ, Ȍ֔; ʮֹǰ, fµҲ. fӔ : ʼKƼ֮ĩ, ʢ֮ڔ. Y : ̩ɽ, ֔) [Jin 1998, 62].

8. (Hβ). , . , . , , , , , , -, 볔 (Е|wȥ, hrı; ɴ Œ, ɂC; ѪRx, Ǻ߅ɫҲ) [Jin 1998, 63]. 9. (Oʡ). , г : , , , , , , , [ ] . [] , 䳔 (Ҫν, sȌĴ, sȌ ϧ͏, sȌνӑŽ, sȌνײĵ. , Ҳ) [Jin 1998, 64]. 10. ' (Ϲʿv). . , [] , [] ˳ , , , , ˳ [ ]; , , [] , . . (Rǰ, , , ͯ, µȾȴѵ, sҪȥ; ߀дŮR, w, wöѳȥ, sИO, ʿк, ˵RּӱԇҲ) [Jin 1998, 70]. 11. (M녔ɽ). , , . ϳ . , 䳿 , , . , ' ' , [] , , (ɴף f, , ⌚Խz; Ǖr, ֻ̫L, ٘, ʏİgrW, g֮) [Jin 1998, 72].

г : г , , (ˮG , ʷӛ , s S ʷӛ ̎) [Jin 1998, 70]. : г , . , , - ˳ , , , . , , ˳ , , (fr ˮG, ӵx, ԵSf. ˱mc醵ô, ӵx, ԵSķ; ΩԵ ˮG Sķ, ㌢ ߔ ʷӛ ȕ, gķ, Ҳó. frӵx ߔ ʷӛ ȕ, ֻf, ɷǺЦ) [Jin 1998, 80].

̳, ֳ, . , г , [Inoue 2001, 73].

(ѩ, 1715-1763 .) 쳔 (tlj), , [Liu 1983, 82]. , 쳿 ' : (C), (׏Z), (Ӱ䷨), (ķ), (õʷ) [Shen 2004, 101].

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REFERENCES

Altenburger R. (2014), Appropriating Genius: Jin Shengtan's Construction of Textual Authority and Authorship in His Commentated Edition of Shuihu Zhuan (The Water Margin Saga), in That Wonderful Composite Called Author, Brill, Leiden, pp. 163-194. DOI: https://doi. org/10.1163/9789004279421_007 Ban G. (2003), Hn sh, Zhonghua Book Company, Beijing. (In Chinese).

Bell C. L. (2016), Genuine Anguish, Genuine Mind: Loyal Buddhist Monks, Poetics and Soteriology in Ming-Qing Transition-era Southern China, PhD diss., University of Melbourne, Melbourne.

Ge L. (2003), Authoring `Authorial Intention': Jin Shengtan as Creative Critic, Chinese Li--terature: Essays, Articles, Reviews (CLEAR), Vol. 25. pp. 1-24. DOI: https://doi.org/10.2307/ 3594280

Goehr A. B. (2021), The Genius of Form: Jin Shengtan's (1608-1661) Transformative Litera--ry Program, PhD diss., The University of Chicago, Chicago (IL).

Huang M. W. (1994), Author(ity) and Reader in Traditional Chinese Xiaoshuo Commentary (in Essays and Articles), Chinese Literature: Essays, Articles, Reviews (CLEAR), Vol. 16, pp. 53- 78. DOI: https://doi.org/10.2307/495306 Inoue K. (2001), Chgoku ni okeru kinseitan kenky no tenkai, Chinese Studies Research Papers, Vol. 7. pp. 69-80. (In Japanese).

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Morrison M. B. (2013), Commentated Into His Own Image: Jin Shengtan and His Commentary Edition of the Shuihu Zhuan, A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts, University of Victoria, Victoria, BC.

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CODIFICATION OF COMPOSITION STRUCTURES IN THE WORKS OF JIN SHENTAN: INTERRELATION OF HISTORICAL RECORDS BY SIMA QIAN AND THE NOVEL THE WATER MARGIN BY SHI NAI'AN

Iryna Kostanda

PhD (Philology), Associate Professor Kyiv National Linguistic University 73, Velyka Vasylkivska St., Kyiv, 03150, Ukraine

The research works of the prominent literary critic Jin Shentan, the scientist who laid the foundation for the research and codification traditions of literary works composition features in the Baihua language, are analyzed in the article. Composition structures or laws of creating a text represent an original aesthetic phenomenon in the national and cultural space of the Chinese literary texts; studying this phenomenon reveals the ideological, aesthetic and stylistic originality of ancient Chinese literature. The works of Jin Shentan determined the value and contemporary meaning, the ideological and aesthetic components and the significance of literary works; they also showed the imitation of the traditional text composition structures on the examples of research of the chronicle Historical Records and the novel The Water Margin. The composition structure analysis of the chronicle Historical Records and the novel The Water Margin verifies that the linguistic imitation traditions of the literary works of past centuries are the main operating mechanism for preserving and passing on the stylistic norms. The article reviews biographical information about Jin Shentan and underlines his research interests and achievements, as well as their significance for understanding basic linguistic phenome--na of Chinese classical literature. Due to the detailed analysis of literary and historical texts, paying attention to detail and classifying their compositional aspects, Jin Shentan identified such compositional structures as the inversion method (巨), the storytelling method (A), Snakes in grass and Threads in ashes method (߻߷), Ink Spot method (ī), Needle in Cotton and Thorn in Clay method (d̷), Backside Powder Coating me--thod (Y䁷۷), Wedged Citation method (Ū), Otter Tail method (Hβ), Impossible Contraction method (Oʡ), Mountain Cloud Refraction method (M녔ɽ), etc. The main achievement of Jin Shentan's research works is illustrating the correlation between historical literature and literary works, as well as creating the basis for further investigation and pre--servation of the composition structures of Chinese classical literature.


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