"Traite d’harmonie" Шарля Кателя і його відбиття у творчості Ріхарда Вагнера

27. Catel Ch. A Treatise on Harmony / translated by C. Clarke. London: J. Alfred Novello, 1854. 57 p.

28. Catel Ch.-S. Traitй d'harmonie. Paris: l'Imprimerie du Conservatoire de Musique, 1802. 73 p.

29. Charleton D. Logier, Johann Bernhard // The New Grove Dictionary of Music and Musicians: in 20 vol. New York: Macmillan, 1995. Vol. 11. P. 132-133.

30. Education in music // The New Grove Dictonary of Music and Musicians: in 20 vol. New York: Macmillan, 1995. Vol. 6. P. 1-58.

31. Fetis F.-J. Complete Treatise on the Theory and Practice of Harmony [Translated by P. Landey]. Hillsdale; New York: Pendragon Press, 2008. 282 p.

32.Suskin S. Catel, Charles-Simon // The New Grove Dictionary of Music and Musi-cians: in 20 vol. New York: Macmillan, 1995. Vol. 4. P. 7-8.

33.Wason R. Musica practica: music theory as pedagogy // The Cambridge History of Western Music Theory. Cambridge: Cambridge University Press, 2008. P. 46-77.

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26.Schnitke, A. (2004) Functional variability of textural voices [Funktsionalnaya peremen- nost golosov faktury]. In: Schnitke, A. Articles on music [Statji o muzyike]. Moscow: Kompozitor pp. 92-93 [in Russian].

27. Catel, Ch. (1802). Traitй d'harmonie. Paris: l'Imprimerie du Conservatoire de Musique, 73 p.

28. Catel, Ch. (1854). A Treatise on Harmony. London: J. Alfred Novello, 57 p.

29. Charleton, D. (1995) Logier, Johann Bernhard. The New Grove Dictonary of Musik and Musicians, in 20 vol., vol. 11. New York: Macmillan, pp. 132-133.

30. Education in music (1995). The New Grove Dictonary of Music and Musicians, in 20 vol., vol. 6. New York: Macmillan, pp. 1-58.

31. Fetis, F.-J. (2008). Complete Treatise on the Theory and Practice of Harmony. New York: Pendragon Press, 282 p.

32.Suskin, S. (1995). Catel, Charles-Simon. The New Grove Dictonary of Musik and Musicians. in 20 vol., vol. 4. New York: Macmillan, pp. 7-8.

33.Wason, R. (2008). Musica practica: music theory as pedagogy. The Cambridge History of Western Music Theory. Cambridge: Cambridge University Press, pp. 46-77.

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