Сновидіння в поетиці романтизму: часо-просторова специфіка

Ключові слова: сновидіння, часо-простір, хронотоп, романтизм, несвідоме, структура, поетика.

АННОТАЦИЯ

романтичний несвідомий література сновидіння

Мочернюк Н.Д. Сновидение в поэтике романтизма: временно-пространственная специфика. - Рукопись.

Диссертация на соискание ученой степени кандидата филологических наук по специальности 10.01.06 - теория литературы. - Тернопольский национальный педагогический университет имени Владимира Гнатюка, Тернополь, 2005.

Диссертация является системно-комплексным исследованием функциональности сновидений в поэтике романтизма на материале разных национальных литератур. В работе прослежены характерные тенденции воспроизведения онирического мира в связи с рассмотрением родственных эстетико-философских вопросов о роли бессознательного в романтической концепции искусства. Классифицировано сновидения как структурные единицы в произведении. Выяснены функциональные возможности сновидения на разных участках временно-пространственной организации произведения (в сюжетном, авторском, социально-историческом хронотопах).

Ключевые слова: сновидение, время-пространство, хронотоп, романтизм, бессознательное, структура, поэтика.

Summary

Mocherniuk N. D. Dreams in the poetics of Romanticism: the time-space specifics. Manuscript. Dissertation on gaining scientific candidate degree of philological sciences. The speciality 10.01.06. - Theory of literature. - Ternopil National Pedagogical University named after Volodymyr Hnatiuk, Ternopil, 2005.

The thesis analyzes the functionality of dreams in the poetics of Romanticism on the base of different national literatures. Study of dreams in a fiction of the Romanticism epoch in the time-space aspect helps to reveal poetic particularities of the selected works, facilitates understanding of literary process, trends and the epoch in general.

In the thesis some distinctive trends of oneiric world reproduction have been traced in terms of cognitive aesthetic and philosophical issues concerning the role of the unconscious in romantic concept of art and especially the culture of the Romantic night (Appendix 3). Theoretical processing of the concept the unconscious comprises research of scientific comprehension, as well as applying the term the unconscious, inquiring into the manifestation the unconscious and its sense in different sciences, differentiation of the terms the unconscious and the subconscious. The unconscious plays an important role in the aesthetic and philosophical system of Romanticism. In relation to research of the unconscious, a specific character of romantic chronotopos has been revealed. The role of the unconscious has been analyzed on the examples of such phenomena as dreams, creative process, manifestations of mental illness and music perception based of analysis of the novels The Life and Opinions of tomcat Murr and partially The Devil's Elixirs by E. T. A. Hoffman.

The dreams have been arranged as structural units. Cases of using dreams as the elements of art structure have been grouped in the types: description of the holistic dream (representation of a dream, story about a dream); description of the transitional status “dream/ reality”; applying dream poetics in the description of reality.

The schemes by N. Kopystianska for the theoretical research of art-time and art-space and for practical use during the analysis of a literary work form the fundamental base of the Third Chapter. Selection of schemes and elements helps to systematize functions into separate groups on a base of plot time, author's, and social historic chronotopos. The thesis has proved the importance of dream realization in all aspects of time-space organization on the ground of the selected materials.

The dream of the main character in the novel Heinrich von Ofterdingen by Novalis became the baseline of study of the dream functionality in the plot chronotopos. The role of dreams in the author's chronotopos has been examined on the material of A. Mitskewicz's works: poem Dream about winter reproduces dream of the author, Dziady, part III, indirectly, through the dreams of characters, gives the possibility of the analysis in a definite aspect. Functionality of dreams, the most specific in social and historic chronotopos, have been generalized on the base of poems Germany, A Winter's Tale by Heinrich Heine and Dream by T. Shevchenko. The comparative analysis has revealed many common features of these works.

Key words: dream, time-space, chronotopos, romanticism, unconscious, structure, poetics.

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