Ключевые слова: мемуары, поэтика, жанр, стиль, психология творчества, ментальность, социально-культурные ориентиры, поведенческие стереотипы.

Tomilina T.Y. Russian Military Memoiristics of the first third of the XIX century. - Manuscript.

Thesis in grace of academic degree of Candidate of Philology Science in speciality 10.01.02 - russian Literature - Kherson State University. - Kherson, 2004.

The Thesis is devoted to a problem and genre - stylistic analysis of Russian and French memoir prose of 1812 which allows to define a question of inter-genre type of memoiristics and investigate the peculiarities of the Napoleon epoch man's behaviour orientation through the prism of moral-psychological and social-ethical collisions of memoir works.

A special position of the thesis is devoted to “The Memoirs" by N.Durova, the choice of which is caused by the confidence that woman memoir sources about the war of 1812 (besides Durova' s work there are “Astress' Memoirs" by L.Fuzzil, “Duchess Abrantess' Memoirs", “Countess Edlin's Memoirs", “Countess Shuazzel-Guffie's Recollections", “The Memoirs" by A.Zolotukhina and others) allow to define typological peculiarities of woman memoir consciousness, to define specificity of a woman memoir writer. “The Memoirs" by Durova are interesting due to the possibility to specify social and psychological directions, the world vision of military class men brought into their consciounsness by culture, education, social environment, etc.

The Thesis points out that those were the memoirs which became the field of interaction of different style traditions, one of which genetically lead to the literary-aesthetic trends of XVIII c., but the others are connected with the artistic and aesthetic searches at the egde of the centuries and the first decades of XIX c (classicism, sentimentalism, romanticism). A single autobiographical image of a memoir writer whose personal approach led to the author's reality perception promoted the creation opre-conditions for the elimination of bourdaries of different aesthetic and literary canons of the epoch within one text.

The woman memoirs more than the man ones have got composite freedom openness of narration revealing the subject branches which are not directly connected with the main line of the memoir story. These features of a man consciousness are brightly shown in “The Memoirs" by N.Durova.

Memoiristics of the first decades of the XIX century allows to come closer to the solution of the problem of reconstruction of subjective reality dealing with the consciousness of the representatives of the military class of the Napoleon epoch influencing their behavioristic priorities.

Most definitely and successively the mentality of the epoch was marked in memoir works due to the fact that their documental and artistic nature owing to the active personal jenre creative sources makes it possible to synthesize in memoir texts the manifestation of the author's individuality caused by his high originality as well as social and cultural conceptions of his epoch which influenced the formation of his historical psychology.

The analysis of “The Memoirs" by N.Durova testifies that even one work is able to accumulate the main features of the epoch mentality and allows to look differently at the phenomenon of the “cavalry-girl" in the context of the epoch as well as at the set ideas concerning her uniqueness.

Key words: memoirs, poetics, genre, style, psychology of the creative work, mentality, socio-cultural references, behavioristic stereotypes.

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