Traditions and habits of Great Britain

Some of beautiful, colorful and picturesque traditions. Ways of everyday life in Great Britain. Parliament has been born of accident, expediency, economy and tradition. Colourful ceremonies, which you can see in England. Traditions of Ireland.

Рубрика Иностранные языки и языкознание
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Язык английский
Дата добавления 18.11.2010
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Loch Ness and the Monster.
Whatever it is that stirs in Loch Ness, it is no newcomer. An inscription on a fourteenth-century map of the loch tells vaguely but chillingly of "waves without wind, fish without fins, islands that float". "Monster" sightings are not limited to Loch Ness: Lochs Awe, Rannoch, Lomond and Morar have all been said to contain specimens. The Loch Ness Monster owes its great fame to the opening of a main road along the north shore of the loch in 1933. Since then, distant views of "four shining black humps", "brownish-grey humps" have kept visitors flocking to the loch. People who have seen the phenomenon more closely say that it is "slug-like" or "eel-like", with a head resembling a seal's or a gigantic snail's, while the long neck is embellished with a horse's mane. Its length has been estimated at anything between 8 and 23 metres, and its skin texture la "warty" and "slimy". Close observers, too, particularly Hr George Spicer and his wife who saw it jerking across a lochside road in 1933, have declared it "fearful".
It is not surprising that such waters, cupped in savage hills, should produce legends. Loch Ness is part of the Great Glen, a geological fault that slashes across Scotland like a sword-cut. The loch itself is 24 miles long, about a mile broad and has an average depth of 400 feet. Loch Ness has one direct outlet to the sea, the shallow River Ness, and it is fed by eight rivers and innumerable streams, each of which pours the peaty soil of the hills into the loch. Consequently, the water is dark. Divers working with powerful arc lamps 15 metres below the surface have been unable to see for more than 3 metres around them.
Over the past 40 years, sightings have been claimed by more than 1000 people. Most of the sightings were in bright sunlight conditions of flat calm, and several of the witnesses were trained observers -- soldiers, doctors, seamen. Though many of the sightings were from a distance, witnesses have been convinced they were looking at a large animal, most of whose body was hidden beneath the water.
If it exists, it is most unlikely that the Loch Ness monster is a single animal. A prehistoric creature, living alone in Loch Ness, cut off from others of its kind, would have to be millions of years old. For the species to survive there must be quite a large colony. The colony theory is also supported by nearly simultaneous sightings in different parts of the loch. According to naturalists, the chances of the creature being a reptile are remote. Though Loch Ness never freezes, its temperature never rises above 6°C and this would be too cold for any known species. Also, reptiles breathe air, and would have to surface more frequently than the monster appears to. Though most zoologists deny the possibility that a large and unknown animal might be living in Loch Ness, it is remarkable that the mystery continues; and it is perhaps more exciting than any final scientific solution.
Scottish Weddings.

Everybody knows about Gretna Green, the famous Scottish village just beyond the border. In the old days runaway couples escaped from England to Gretna Green to get married. The practice started in the year 1774. In that year a bill was passed in England forbidding marriages of person under eighteen without their parents' consent. In Scotland the legal age limit was sixteen - and still is for that matter. What is more, until the year 1856 the young couple could be married at once at any place in Scotland, without having to stay there for some time.

You may ask why all those young people chose Gretna Green for their wedding. After all, there are many romantic places in Scotland. The answer is simple. Gretna Green was the nearest village across the Scottish border, only ten miles of Carlisle, on the main highway. To get there took the least time and the least money.

The blacksmith at Gretna Green was always ready to perform the marriage ceremony at a small fee. The formalities were very simple. All that was needed was a declaration made by the young couple in the presence of two witnesses. Visitors of Gretna Green can still see the old blacksmith's shop and the famous marriage room in it.

The old tradition is still remembered. Many young couples who cannot get married in England because they are under age still think it romantic to go to Gretna Green. But today they must have enough money to stay there for three weeks.

Highland Games.

Perhaps the most distinctive event at a Highland Gathering is “Tossing the Caber” - or, as the sixteenth-century writer called it, “throwing the bar”. The caber is the trunk - of a fir tree 20 feet long and ten inches (25 cm) thick at the bigger end. Its weight is about 100 kilos and it needs two or three men to lift it upright with the thick end at the top. The competitor then lakes hold of it and rests it against his shoulder. He takes two or three steps and then throws it so that it turns a complete somersault. The straightest throw, that is nearest to 12 o'clock in direction, gets the most points. If none of the competitors is able to toss the caber, a bit is sawn off the end, and then, if necessary, another bit, until at last one competitor succeeds.

Another feat of strength is throwing the hammer. This has a long handle and weighs ten kilos. The competitor is not allowed to run, he stands still and sweeps it round and round his head several times.

For all events, except races, the kilt must be worn. For highland dances, of which there are many varieties, the competitors wear full highland dress. This includes a smart jacket worn with coloured buttons and a “sporran” or purse made of fur, which hangs at the waist. The mast difficult and intricate of the dances is the sword-dance, performed over a pair of crossed swords which must not be touched by the dancer's feet.

6. Welsh traditions

St. David's Day (1st March).

Dewi (“David” in English), was the son of a Welsh chieftain. He was brought up as a Christian and went abroad to learn more about the life of a monk. Then he returned to Wales and founded many monasteries which became centers of religion and learning in the Welsh countryside. The monks lived a simple life of player, growing their own herbs and vegetables and offering generous hospitality to anyone in need. Because David's holiness and his inspiring teaching, he was made a bishop. The center of his bishopric was in the settlement we now know as St. David's on the Western tip of the country of Dyfed.

David is thought to have died on 1st march, AD 589, and his shrine at St. David's was a place of pilgrimage in the Middle Ages. Later, when people of North and South Wales became one nation, he was chosen as the patron saint of Wales.

A legend tells how David suggested that his people should wear a leek in their bonnets during battles so that they could be easily recognized; Welsh Guards are still distinguished by a green and white plume in their black bearskins. At Windsor, on the Sunday nearest St. David's day, it is now a tradition that every member of the Brigade of Welsh Guards is given a leek by a member of the Royal Family. However, as St. David' Day is celebrated at the beginning of Spring when daffodils, are blooming, this flower has become a second, more graceful emblem of Wales. David's own emblem is a dove.

It is said that David had a sweet singing voice. He encouraged his monks to sing as well as possible for the glory of God, and perhaps this was the beginning of the Welsh tradition of fine made-voice choirs.

Many churches are dedicated to David in southwest Wales, and if you are traveling there, you might visit the cathedral at St. David's. Other places too are called after the saint, and you may visit Llandewi or Capel Dewi or Ffynor Dewi

The Welsh "national" costume seen on the dolls and postcards is largely a myth created for tourism. Certainly, the seventeenth-century country women wore long coloured skirts, a white apron and a tall black hat, but so did English women at that time. In the nineteenth century, the idea of a national costume was born and this pleased both tourists and locals, although there is no evidence at all of a long-lost costume.

The Welsh Eisteddfodau.

No country in the world has a greater love of music and poetry than the people of Wales. Today, Eisteddfodau are held at scores of places throughout Wales, particularly from May to early November. The habit of holding similar events dates back to early history, and there are records of competitions for Welsh poets and musicians in the twelfth century. The Eisteddfod sprang from the National Assembly of Bards. It was held occasionally up to 1B19, but since then has become an annual event for the encouragement of Welsh literature and music and the preservation of the Welsh language and ancient national customs.

The Royal National Eisteddfod of Wales is held annually early in August, its actual venue varying from year to year. It attracts Welsh people from all over the world. The programme Includes male and mixed choirs, brass-band concerts, many children's events, drama, arts and crafts and, of course, the ceremony of the Crowning of the Bard.

Next in importance is the great Llangollen International Music Eisteddfod. held early in July and attended by competitors from many countries, all wearing their picturesque and often colourful national costumes. It is an event probably without parallel anywhere in the world. There are at least twenty-five other major Eisteddfodau from May to November. In addition to the Eisteddfodau, about thirty major Welsh Singing festivals are held throughout Wales during the same period of time.

Lovespoons.

Lovespoons were given by suitors to their sweethearts in Wales from the seventeenth to the early nineteenth century. The custom of giving lovespoons died out in the nineteenth century but they continued to be carved especially in some country districts. Making lovespoons became something of an art form and woodwork competitions and Eisteddfoday often had examples of the genre.

In recent years, interest in lovespoons has reawakened and many people seek them out as desirable keepsakes. Visitors to Wales, particularly from overseas, wanting something uniquely Welsh to remind them of their visit often choose a lovespoon. There is also a growing tendency for Welsh people themselves to give lovespoons as gifts to commemorate special occasions -- a new baby, a birthday, an impending marriage, a retirement or to celebrate a success of some kind. Lovespoons also make excellent Christmas presents. Today, when most people have neither the tine nor the inclination to carve their own lovespoons, the accepted practice is to buy a ready-made example of the craft or to commission one of the woodcarver specialists to make one.

Since pre-history, beautiful, hand-carved objects have had ceremonial, romantic and religious significance: long incense and cosmetic spoons, for example, have survived from Egyptian times. In the Middle Ages, a pair of knives in a sheath was considered a worthy gift and it was common for a bridegroom to present his bride with one: such sets were known as "wedding knives".

The history of kitchen utensils and the spoon belongs to Western culture. The history of the lovespoon belongs to Welsh romantic folklore.

From the mid-seventeenth century, lovespoons were carved from wood in Wales and there is one dated 1677 in the collection at the Welsh Folk Museum in Cardiff. It is amazing that it has survived because wooden objects are not particularly durable.

From the seventeenth century, the custom grew for a young man to give a spoon to the lady who took his fancy. Thus, particularly attractive young ladies might be given a number of spoons from aspiring suitors. It may be that modern word, "spooning" indicating a closer development of a relationship, is derived from this practice of giving a love token.

Early lovespoons were carved from sycamore which was readily available in the low-lying country districts of Wales. The main tool used was a pocket knife. Those who made such spoons were amateurs and it was a way of passing the time on long winter evenings. Imagine a young man busily shaping a spoon in a small room lit only by candlelight or the glow of a fire.

Numerous examples of lovespoons have been found throughout Wales but the giving and receiving of a spoon did not develop into "a ritual of betrothal". Indeed, there is strong evidence to suggest that giving a lovespoon expressed a desire for a relationship and was not an affirmation that a relationship had already begun.

Some young men did not have the time or the skill to carve their own spoons and professional lovespoon carters emerged. It was again, a question of demand and supply. Spoons were bartered for or purchased from these skilled craftsmen and a tradition of spoons made by the same wood worker grew in the eighteenth and nineteenth centuries. It was no wonder then, that the spoon became more decorative and elaborate.

A number of design factors should be mentioned in relation to spoon carving including size, weight, colour and the nature of the completed artefact. As far as size is concerned, the earliest spoons were little bigger than the modern teaspoon, their use was limited, and larger spoons soon came to be carved. This meant that the handles, in particular, could be more and more elaborate. As they became more decorative, the spoons were displayed by hanging them on the wall in the living room or parlour. The weight and type of wood used for such a spoon depended on the setting in which it was to be displayed. Softwoods were often preferred and the colour selected so that it would look good against a wall.

A great deal of imagination was used in the creation of lovespoons. This elaboration was gradual. Two or even three bowls were carved instead of one to make it more interesting and attractive. Eventually, the bowl became less important and attention turned first to the handle and then to embellishments or additions to the handle. Sometimes the handle was enlarged or made rectangular in shape. At other times, filigree was added. The handle was pierced, cutting designs in fretwork or carving in relief were devices to add interest and meaning to the spoon. In this way, symbols were incorporated: hearts, locks, keys, shields, anchors and wheels were favoured themes.

A heart or a series of hearts was the most popular expression of love used on spoons. These might be single or entwined to suggest that the boy and his girl would soon feel the same way about each other. As the spoons became more decorative, their utilitarian use ceased altogether and they were used more for display. The heart was also an attractive and convenient device for suspending the spoon on a wall. Indeed, most spoons have a device for hanging them up, indicating that they were decorative rather than functional.

Anchors in particular were popular: the suitor has found a berth where he wished to stay. Many lovespoons were the work of seafarers who whiled away the tedium of a voyage by whittling. Besides anchors, ropes and cable designs often appear, as do vessels, steering wheels and various other nautical emblems.

Locks (keeping love or a lover safe), keys (unlocking love), miniature cottages and houses are recurrent themes with associations of lovers making a life together. The key may have a triple significance for it may indicate unlocking the door to the heart, it may indicate maturity (reaching 21 and the key to the door theme) or it may mean "let's live in marriage together".

Chain links look very difficult to carve and are another development of the whittler's art showing the woodworker's skill. Suggestions are that the links symbolically"link" the sweethearts together in love and possibly matrimony.

It must be stressed that many assumptions have been made about the meanings of the motifs which appear on lovespoons. Imagery is always difficult to explain and certain motifs may have had more personal significance for the donor than can be appreciated by the casual observer. Spoons were not mass-produced but made by one individual for another and many relied on personal nuances other than symbols to convey meaning.

Some spoons are dated. If the couple eventually marry, they then become a keepsake of the suitor's original interest. Other spoons are personalized either by initials or by an emblem of the occupation or the interests of the donor or donor. Often a carver wishes to incorporate a date, a monogram, a motto, a name or a quotation into a carving. If he wants to keep it a secret, he may work the date or name into the design.

Nationalistic emblems such as a daffodil, a leek, the word Cymru or even a dragon are sometimes used, but they are usually to be found on modern spoons. Some spoons are intended to be in the nature of Valentines and to be anonymous. It is difficult to understand, though, that someone who had spent many hours creating such a gift would not want his work to be appreciated. Others are decorated with dual initials, those of the suitor and his lady or with a single initial when we are left to guess whether this represents the donor or the donor. But we must try not to read too much into the minds of the carvers of earlier days. Whatever we think, we cannot help being amazed by the consummate skill of these lovespoon craftsmen.

The Welsh National Game.

Rugby is a form of football. It is named after Rugby School in Warwickshire where it was developed, though the exact date (1823 or later) is in dispute.

Rugby is the national game of Welsh team was thought to be the best of the world. The rules of the game are rather complicated but mainly involve the carrying of an egg-shaped ball over your opponents' line and pressing it firmly on the ground to score a try. A team consists of fifteen players, eight of whom are usually much bigger and heavier than the rest. Their job is to win the ball so that the three-quarters can run forward over the line, trying to avoid the tackles of the opposing team. Often the heavier forwards can be seen pushing together in a scrum, trying to kick the ball backwards. Although the game seems to be similar to American football, the players are not allowed to throw the ball forward. Other point can be won by kicking the ball between the special “H” - shaped goal - posts.

When the Welsh side are playing at home at Cardiff Arms Park their supporters often try to encourage them to play better by singing the Welsh National anthem, “Land of My Fathers”. The sound of thousands of Welsh voices singing this famous song usually helps the Welsh side to score another try to win the game. Naturally they are especially pleased when this is against the English!

7. Traditions of Northern Ireland

St. Patrick's and the Shamrock.

St. Patrick's Day is the seventeenth of March, and Irish men and women everywhere, together with a good many English people as well, try to obtain a sprig of shamrock to wear on that day. For St. Patrick is the patron saint of Ireland, and the shamrock is his special emblem.

Nearly every one must know the story of how it became so. He was preaching, standing out of doors on a little hill, trying to make his hearers understand the doctrine of the Trinity, how Three Persons could yet be one God. Unable to make them see, he stooped and picked a spray of shamrock, the little three-leaved plant growing among the grass at his feet. Holding it up, he explained that, as the leaves were still only one leaf since they all radiated from a central point, so Father, Son, and Holy Ghost, although Three Parsons, were yet but one God. And so, in memory of their patron saint and in honour of their country, the Irish people wear sprays of shamrock on St. Patrick's Day.

St. Patrick's Day, later, became associated with a custom which the saint would certainly have condemned had he been alive to do so during the time it was in vogue - it has practically died out now. It was called “Drowning the shamrock”, and it consisted simply in drinking excessively of spirits and beer. Two or three hundred years ago, some one started a legend that St. Patrick had taught the people of Ireland how to distil whisky, and those who liked strong drink were quick to seize the chance to indulge their taste. It become the practice of innkeepers to offer their customers free meals on St. Patrick's Day, consisting of very salt fish with a glass of beer or whisky to wash it down. The generosity paid the innkeeper handsomely, for the fish was always so salt that it took many more than the one free drink to quench the thirst of his customers afterwards, and the extra drinks, of course, would all have to be paid for.

Conclusion

great britain tradition

In conclusion, I would like to say, that Great Britain has a lot of interesting and original traditions. People respect their customs and try observe them, although traditions are in very big number.

The aim of my work was helpful people, who prepare to make journey to Great Britain; helpful acquaint with customs, manners of behaviour, habits of the people. Studying them help us to understand better the English way of life.

Literature

1. Кощеева Н.Е. English Reader Part II. English National Traditions.:М. 1972.

2. Пинягин Ю.Н. Великобритания: история, культура, образ жизни. - Пермь: Изд-во Перм. Ун-та, 1996. - 296.

3. Сатинова В.М. Читаем и говорим о Британии и британцах. Мн.: Выш. шк., 1997. - 255с.

4. Традиции, обычаи и привычки. М.: ИНФРА-М, 2001. - 127с.

5. Lilies and roses / English 1996 №18

6. Feasts in March / English 1998 №15

7. Pubs in Great Britain / English 1997 № 41

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