Золототкацтво Галичини XVIII – першої третини ХХ ст. (Історія, типологія, художньо-стильові особливості)

Історико-культурні причини поширення та побутування серед населення Галичини золототканих виробів. Окреслення художніх особливостей золототканих виробів з урахуванням впливу традиційного народного ткацтва Галичини, перського та турецького золототкацтва.

Рубрика История и исторические личности
Вид автореферат
Язык украинский
Дата добавления 06.07.2014
Размер файла 47,2 K

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The characteristics of art and style of the typological groups of gold-weavings, which were produced in the workshops of Galicia in the 18th century, differed considerably from others. Specifically, in the ornamentation of decorative fabric, i.e. gold-woven macats, characteristics of Western-European styles of baroque and rococo dominated. However, arrays of fashion fabric, including the gold-woven belts, are delineated by the considerable influence of Muslim stylistics, particularly in the role played by Persian and Turkish art. Traces of traditional, national art are most vividly seen in the character of dйcor of gold-weavings, which were produced in small, provincial textile centres.

Further, the dissertation analyzes silk-products from the workshop in Buchach (1879-1939). It relates its history to the general processes and transformations with respect to products of gold weaving of the 18th century in general. This section of the study includes a discussion of art pieces, which have not made their way into scholarly discussion. Moreover, the study provides a typological analysis of decorative gold-woven macats of Buchach. Importantly, the dissertation discusses the influence of gold weaving on the traditional fabrics of the Carpathian region. Last but not least, the study provides perspectives as to how the heritage of gold weaving of Galicia could be applied in contemporary textile.

The main finding of this dissertation is the fact that in Galicia, although traditions of gold weaving have not had a smooth line of historical development, nevertheless, gold weaving as a phenomenon needs to be viewed as a valuable and inalienable part of Ukrainian decorative and applied art. Importantly, the elements of art and style of gold-weavings produced in the workshops of Galicia, with their unique combination of Oriental primary sources, European influences of style, and traditions of Ukrainian art are characterized by national originality.

Key words: Galicia, gold-weaving, macat, gold-woven belt, typology, characteristics of art and style

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